In the world of the fairy tale, witches and crones are not the only characters who generate mistrust and fear — ‘others’, outsiders and so-called misfits pushed to the margins of society, figure prominently in many tales. In these stories, people living outside the norm are branded as villains or monsters. The Beast from ‘Beauty and the Beast’ is a prime example. Given our social needs, stories of isolation reflect a deeply human anxiety. In stories, as in life, perceived differences inspire actions born of fear — from petty quarrelling to ostracism or vengeful retaliation. While retribution and revenge are ever-present elements of fairy tales, so too are questions of cruelty, injustice and the redemptive power of kindness. The darker side of fairy tales holds a mirror to our motivations and helps us navigate the ethical decisions in our everyday lives. ‘Fairy Tales’ unfolds across three themed chapters. ‘Into the Woods’ explores the conventions and characters of traditional fairy tales alongside their contemporary retellings. ‘Through the Looking Glass’ presents newer tales of parallel worlds that are filled with unexpected ideas and paths. ‘Ever After’ brings together classic and current tales to celebrate aspirations, challenge convention and forge new directions. Travel with us in our weekly series through each room and theme of the ‘Fairy Tales’ exhibition at Brisbane’s Gallery of Modern Art (GOMA) as we focus on some of the works on display. DELVE DEEPER: Journey through the ‘Fairy Tales’ exhibition with our weekly series EXHIBITION THEME: 7 Into the Woods Patricia Piccinini ‘The Couple’ 2018 Patricia Piccinini’s The Couple 2018 (illustrated) is haunting work that captures the isolation of those perceived as unwanted and unwelcome. Piccinini’s sculptures often touch on ideas of evolution, genetics and bioethics, seen through a lens of human empathy and curiosity. Her realistic creations are both familiar and foreign — illusions from an alternative world. The Couple presents a scene of intimacy and love in which two resting creatures lie in an embrace in a caravan, buffered from the cruel judgment of the world, if only in this moment. The characters’ uncanny otherness prompts contemplation of resilience, beauty and unconditional love. Isobel Knowles, Van Sowerwine ‘You Were In My Dream’ 2010 Ideas of cloaking oneself through animal transformation pulse through the lush papercut stop‑motion animation and interactive installation You Were In My Dream 2010, by collaborating Australian artists Isobel Knowles and Van Sowerwine. Beginning with a small child sleeping on a jungle floor, the viewer wakes the child with a click of the mouse to find their face has been imposed onto the animated figure through a live video feed. Prompted to send their character on a magical journey by clicking on one of the many pulsing stars on the screen, echoes elements of the transformative chase in classic fairy tales, whereby a pursuit prompts the protagonist to shapeshift through several forms — a rabbit, monkey, wolf or bird. In a magical world that demands one to eat or be eaten, these changes are not without their own challenges. The ‘Fairy Tales’ exhibition is at Brisbane’s Gallery of Modern Art (GOMA), Australia from 2 December 2023 until 28 April 2024. ‘Fairy Tales Cinema: Truth, Power and Enchantment‘ presented in conjunction with GOMA’s blockbuster summer exhibition screens at the Australian Cinémathèque, GOMA from 2 December 2023 until 28 April 2024. The major publication ‘Fairy Tales in Art and Film’ available at the QAGOMA Store and online explores how fairy tales have held our fascination for centuries through art and culture.

Not all those who find themselves deep in the woods have gone there willingly, with lost or abandoned children recurrent characters in fairy tales — at a time when women frequently died in childbirth, their remaining children often faced challenging domestic situations. In ‘Hansel and Gretel’, the siblings are abandoned in the woods by their father and stepmother due to a lack of food. This story, which plays on fears of abandonment, disorientation and helplessness, remains one of the best known of the Brothers Grimm’s tales. In many narratives where home is not a nurturing space, children venture into the woods seeking sanctuary. While the woods are rarely entirely benevolent environments, the child protagonists demonstrate courage and resilience, often reaping the rewards of their trials. Historically, the bush and the outback are powerful settings for challenging the anxieties of the Australian national consciousness. Real and fictional stories of lost children are very much part of our country’s psyche, and they reveal pervasive feelings of vulnerability, distrust and fear. ‘Fairy Tales’ unfolds across three themed chapters. ‘Into the Woods’ explores the conventions and characters of traditional fairy tales alongside their contemporary retellings. ‘Through the Looking Glass’ presents newer tales of parallel worlds that are filled with unexpected ideas and paths. ‘Ever After’ brings together classic and current tales to celebrate aspirations, challenge convention and forge new directions. Travel with us in our weekly series through each room and theme of the ‘Fairy Tales’ exhibition at Brisbane’s Gallery of Modern Art (GOMA) as we feature some of the works on display. DELVE DEEPER: Journey through the ‘Fairy Tales’ exhibition with our weekly series EXHIBITION THEME: 5 Into the Woods Tracey Moffatt In fairy tales, the line between make-believe and reality is often blurred. In Tracey Moffatt’s screenprints from her ‘Invocations’ series the artist explores the collective fear of abandonment and vulnerability at the heart of many ‘lost children’ fairy tales. Both eerie and inviting, watchful trees trace the movements of a young girl deep in a sentient European forest, recalling the aesthetics of twentieth-century fairy-tale cinema — from Walt Disney Studio animations to The Wizard of Oz (1939). Moffatt’s process, too, treads the line between fact and fiction, with photographs screen-printed, layer by layer, to resemble the texture of a painting. The uncanny imagery of these works prompts questions about race, colonialism and belonging in different landscapes. Polixeni Papapetrou Many fairy tale themes are universal and move across geographical borders, cultures and time. Lost children — in the forest, the wilderness or the desert — is a theme central to several stories and can be found throughout Australian art, literature and film. In Polixeni Papapetrou’s ‘Haunted Country’ photographic series of 2006 the artist restages both historical and fictional stories of children lost in the Australian bush. Depicting her own children and their friends in vulnerable situations, Papapetrou touches on the concerns of early settlers, imagining the vastness of the Australian landscape heightening feelings of defencelessness against the unknown. The ‘Fairy Tales’ exhibition is at Brisbane’s Gallery of Modern Art (GOMA), Australia from 2 December 2023 until 28 April 2024. ‘Fairy Tales Cinema: Truth, Power and Enchantment‘ presented in conjunction with GOMA’s blockbuster summer exhibition screens at the Australian Cinémathèque, GOMA from 2 December 2023 until 28 April 2024. The major publication ‘Fairy Tales in Art and Film’ available at the QAGOMA Store and online explores how fairy tales have held our fascination for centuries through art and culture.