Judy Watson’s work including drawing, printmaking, painting and sculpture all reference an Indigenous connection to land and history. Her canvases are not paintings in the classical traditions of European art, they remain unstretched when exhibited, usually pinned to the wall as is sacred ground beating heart (illustrated). One of Watson’s bronze sculptures — tow row (illustrated) — is permanently installed at the entrance to the Gallery of Modern Art (GOMA).

Born at Mundubbera, west of Maryborough, in south-east Queensland, the spirit and substance of her work is sourced in the homeland of her grandmother and great grandmother, a descendant of the Waanyi people of north-west Queensland.

sacred ground beating heart

Through paint and pigment, Watson offers evidence of intimate encounters with the heat, air, moisture and pulse of the earth — the geographical emblems of her heartland. These emblems are linked with Australian Aboriginal totemic beings or culture heroes, who metamorphosed into landscape features, such as hills and rocks, and who continue to manifest their presence in meteorological or astral phenomena.

The unstretched canvas has been stained by layers of wet and dry pigment, creating a velvety, sensuous surface, which is then marked by distinct touches of colour. The imagery suggests an aerial perspective of parched land, a depiction of distant homelands or a material translation of an emotional state.

Judy Watson ‘sacred ground beating heart’ 1989

Judy Watson, Waanyi people, Australia b.1959 / sacred ground beating heart 1989 / Natural pigments and pastel on canvas / 215 x 190cm / Purchased 1990. The 1990 Moët & Chandon Art Acquisition Fund / Collection: Queensland Art Gallery / © Judy Watson/Copyright Agency

Judy Watson, Waanyi people, Australia b.1959 / sacred ground beating heart 1989 / Natural pigments and pastel on canvas / 215 x 190cm / Purchased 1990. The 1990 Moët & Chandon Art Acquisition Fund / Collection: Queensland Art Gallery / © Judy Watson/Copyright Agency / View full image

Watch | Judy Watson discusses ‘sacred ground beating heart’

Judy Watson ‘tow row’ 2016

In tow row 2016, Judy Watson has responded to the GOMA site close to the Brisbane River. Referencing woven nets used by Aboriginal people of the area she acknowledges the traditional owners of the site and their everyday fishing activities on the river and local saltwater waterways. Watch our documentary as the artist discusses her inspiration for the bronze sculpture.

Watch | Judy Watson introduces ‘tow row’ 2016

Judy Watson, Waanyi people, Australia b.1959 / tow row 2016 / Bronze / Commissioned 2016 to mark the tenth anniversary of the opening of the Gallery of Modern Art. This project has been realised with generous support from the Queensland Government, the Neilson Foundation and Cathryn Mittelheuser AM, through the Queensland Art Gallery | Gallery of Modern Art Foundation / Collection: Queensland Art Gallery | Gallery of Modern Art / © Judy Watson/Copyright Agency


The Queensland Art Gallery | Gallery of Modern Art (QAGOMA) acknowledges the Traditional Owners of the land on which the Gallery stands in Brisbane. We pay respect to Aboriginal and Torres Strait Islander Elders past and present and, in the spirit of reconciliation, acknowledge the immense creative contribution First Australians make to the art and culture of this country. It is customary in many Indigenous communities not to mention the name or reproduce photographs of the deceased. All such mentions and photographs are with permission, however, care and discretion should be exercised.

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    In this large-scale painting moreton bay rivers, australian temperature chart, freshwater mussels, net, spectrogram 2022 (illustrated) on display within ‘mudunama kundana wandaraba jarribirri‘ (tomorrow the tree grows stronger) at the Queensland Art Gallery until 11 August 2024, Judy Watson surveys the rising tide of climate change by representing a bird’s-eye view of Queensland’s Moreton Bay and its rivers, overlaid with a chart of Australia’s average air and water temperatures recorded between 1910 and 2019. Queensland Art Gallery Watermall Watson integrated this data with the knowledges of women close to her. With her nephew’s partner, Tor Maclean, she experimented with botanical-dyeing and stencilling. Aunty Helena Gulash spoke the Kabi Kabi word ‘gila’, meaning ‘light coloured native bee’ — represented here in the form of a spectrograms (visual representations of recorded sound). At her mother Joyce Watson’s home, the artist painted the spectrograms, while at her cousin Dorothy Watson’s home in Oxley — close to the flood-prone Oxley Creek — she dyed the work in indigo. Three freshwater mussel shells, known as malu malu in Watson’s Waanyi language, are also represented in this work. Judy Watson ‘moreton bay rivers, australian temperature chart, freshwater mussels, net, spectrogram’ 2022 The Queensland Art Gallery | Gallery of Modern Art (QAGOMA) acknowledges the Traditional Owners of the land on which the Gallery stands in Brisbane. We pay respect to Aboriginal and Torres Strait Islander Elders past and present and, in the spirit of reconciliation, acknowledge the immense creative contribution First Australians make to the art and culture of this country. It is customary in many Indigenous communities not to mention the name or reproduce photographs of the deceased. All such mentions and photographs are with permission, however, care and discretion should be exercised.
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    Experience Judy Watson’s ‘tow row’ in digital reality

    QAGOMA’s immersive digital experience animates and illuminates the significance of tow row 2016, the bronze fishing net sculpture by leading Queensland artist Judy Watson on permanent display at the entrance to the Gallery of Modern Art (GOMA). Watson was born in Mundubbera in south-east Queensland and the spirit of much of her work stems from her matrilineal Waanyi homeland in north-west Queensland. Access the experience onsite via a QR code or online Judy Watson’s tow row is a poetic acknowledgment of the Maiwar area’s history and culture — an artwork that explores historical fishing activities on the Brisbane River and local waterways. The sculpture, inspired by the traditional woven fishing nets of south-east Queensland’s Aboriginal communities, was the winning entrant of the Queensland Indigenous Artist Public Art Commission, part celebrations for GOMA’s tenth birthday in 2016. Viewing original fishing nets Watch | Judy Watson introduces ‘tow row’ 2016 Judy Watson, Waanyi people, Australia b.1959 / tow row 2016 / Bronze / 193 x 175 x 300cm (approx.) / Commissioned 2016 to mark the tenth anniversary of the opening of the Gallery of Modern Art. This project has been realised with generous support from the Queensland Government, the Neilson Foundation and Cathryn Mittelheuser AM, through the QAGOMA Foundation / Collection: Queensland Art Gallery | Gallery of Modern Art / © Judy Watson Watch | Experience ‘tow row’ in digital reality QAGOMA continues to celebrate Queensland artists by sharing works that tell our stories, the addition of this digital reality experience helps unlock deeper meaning about the sculpture, as well as the rich history and culture surrounding the creation and use of these fishing nets by First Nations people. This interpretive tool harnesses the latest digital technology and amplified awareness of Watson’s artwork and its relationship with the nearby Brisbane River. The experience opens with historical photographs, maps, and concept artwork that were part of the artist’s inspiration and research for tow row. Go on a journey exploring the history and significance of tow row fishing nets and how Indigenous communities created and used them. This sculpture is deeply connected to concealed Indigenous histories, the significance of objects, and the power of memory and loss. The tow row in digital reality expands awareness of Watson’s work, as well as our understanding of one of the world’s oldest living cultures. Judy Watson ‘tow row’ 2016 Compatible with iPhone 7 or higher, iPad 6 or higher, Android 9.0 or higher. This digital reality experience was assisted with funds from the Josephine Ulrick and Win Schubert Diversity Foundation. The Queensland Art Gallery | Gallery of Modern Art (QAGOMA) acknowledges the Traditional Owners of the land on which the Gallery stands in Brisbane. We pay respect to Aboriginal and Torres Strait Islander Elders past and present and, in the spirit of reconciliation, acknowledge the immense creative contribution First Australians make to the art and culture of this country. It is customary in many Indigenous communities not to mention the name or reproduce photographs of the deceased. All such mentions and photographs are with permission, however, care and discretion should be exercised.
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