Fairy tales transport us to faraway lands that exist out of time. In much-loved and endlessly retold stories overflowing with kings and queens, castles and carriages, feasts and riches, we find adventure, community, happiness and love.

Go behind-the-scenes at Brisbane’s Gallery of Modern Art (GOMA) for a sneak peek before the ‘Fairy Tales’ exhibition unfolds across three themed chapters. ‘Into the Woods’ explores the conventions and characters of traditional fairy tales alongside their contemporary retellings. ‘Through the Looking Glass’ presents newer tales of parallel worlds that are filled with unexpected ideas and paths. ‘Ever After’ brings together classic and current tales to celebrate aspirations, challenge convention and forge new directions. Let the journey begin . . .

RELATED: Journey through the ‘Fairy Tales’ exhibition with our weekly series

Gorgeous gowns

What is a fairy tale without a gorgeous gown or two or more? Conservators Michael Marendy and Elizabeth Thompson are weaving their magic behind-the-scenes, here they are preparing the support for the wedding dress from Mirror Mirror (2012) ready for the grand unveiling of lavish costumes and film props.

What is a fairy tale without a ball gown? Conservators Michael Marendy and Elizabeth Thompson are weaving their magic behind-the-scenes getting ready for ‘Fairy Tales’.

Conservator Michael Marendy preparing the support for the ‘Cream wedding dress’ designed by Eiko Ishioka for Mirror Mirror (2012) installed in ‘Fairy Tales’, Gallery of Modern Art (GOMA), Brisbane 2023 / Photograph: C Callistemon © QAGOMA

What is a fairy tale without a ball gown? Conservators Michael Marendy and Elizabeth Thompson are weaving their magic behind-the-scenes getting ready for ‘Fairy Tales’.

Conservator Michael Marendy preparing the support for the ‘Cream wedding dress’ designed by Eiko Ishioka for Mirror Mirror (2012) installed in ‘Fairy Tales’, Gallery of Modern Art (GOMA), Brisbane 2023 / Photograph: C Callistemon © QAGOMA / View full image

What is a fairy tale without a ball gown? Conservators Michael Marendy and Elizabeth Thompson are weaving their magic behind-the-scenes getting ready for ‘Fairy Tales’.

Conservator Michael Marendy preparing the support for the ‘Cream wedding dress’ designed by Eiko Ishioka for Mirror Mirror (2012) installed in ‘Fairy Tales’, Gallery of Modern Art (GOMA), Brisbane 2023 / Photograph: C Callistemon © QAGOMA

What is a fairy tale without a ball gown? Conservators Michael Marendy and Elizabeth Thompson are weaving their magic behind-the-scenes getting ready for ‘Fairy Tales’.

Conservator Michael Marendy preparing the support for the ‘Cream wedding dress’ designed by Eiko Ishioka for Mirror Mirror (2012) installed in ‘Fairy Tales’, Gallery of Modern Art (GOMA), Brisbane 2023 / Photograph: C Callistemon © QAGOMA / View full image

Tarsem Singh (director), India/United States b.1961 / Eiko Ishioka (designer), Japan 1938–2012 / Carelli Costumes (costumier), United States est. 1982 /‘Cream wedding dress’ costume worn by Julia Roberts as ‘Queen Clementianna’ in Mirror Mirror (2012) installed in ‘Fairy Tales’, Gallery of Modern Art (GOMA), Brisbane 2023 / Duchess silk satin, Swarovski crystals / Collection: The Academy Museum of Motion Pictures, Los Angeles / Photograph: N Umek © QAGOMA

Tarsem Singh (director), India/United States b.1961 / Eiko Ishioka (designer), Japan 1938–2012 / Carelli Costumes (costumier), United States est. 1982 /‘Cream wedding dress’ costume worn by Julia Roberts as ‘Queen Clementianna’ in Mirror Mirror (2012) installed in ‘Fairy Tales’, Gallery of Modern Art (GOMA), Brisbane 2023 / Duchess silk satin, Swarovski crystals / Collection: The Academy Museum of Motion Pictures, Los Angeles / Photograph: N Umek © QAGOMA / View full image

Tarsem Singh, India/United States b.1961 / Production still from Mirror Mirror 2012 / 35mm, colour, Dolby Digital, 106 minutes, United States/Canada, English / Director: Tarsem Singh / Producers: Bernie Goldmann, Ryan Kavanaugh, Brett Ratner / Script: Marc Klein, Jason Keller, Melisa Wallack / Cinematographer: Brendan Galvin / Editors: Robert Duffy, Nick Moore / Cast: Julia Roberts, Lily Collins, Armie Hammer, Nathan Lane, Jordan Prentice, Mark Povinelli, Joe Gnoffo, Danny Woodburn, Sebastian Saraceno, Martin Klebba, Ronald Lee Clark / © 2012 UV RML NL Assets LLC. / Photograph: Jan Thijs / Image courtesy: Relativity Media

Tarsem Singh, India/United States b.1961 / Production still from Mirror Mirror 2012 / 35mm, colour, Dolby Digital, 106 minutes, United States/Canada, English / Director: Tarsem Singh / Producers: Bernie Goldmann, Ryan Kavanaugh, Brett Ratner / Script: Marc Klein, Jason Keller, Melisa Wallack / Cinematographer: Brendan Galvin / Editors: Robert Duffy, Nick Moore / Cast: Julia Roberts, Lily Collins, Armie Hammer, Nathan Lane, Jordan Prentice, Mark Povinelli, Joe Gnoffo, Danny Woodburn, Sebastian Saraceno, Martin Klebba, Ronald Lee Clark / © 2012 UV RML NL Assets LLC. / Photograph: Jan Thijs / Image courtesy: Relativity Media / View full image

Surreal landscapes

Forests and fields are one of the most common fairy tale settings, a magical realm outside of our normal experience. We’re finalising Patricia Piccinini’s otherworldly installation Celestial Field 2021 — a canopy of nearly 3000 ‘genetically modified’ blooms, forming an inverted garden in the sky sheltering a collection of fragile creatures beneath.

Installing Patricia Piccinini’s Celestial Field 2021 / Photograph: C Baxter © QAGOMA

Installing Patricia Piccinini’s Celestial Field 2021 / Photograph: C Baxter © QAGOMA / View full image

Patricia Piccinini, Australia b.1965 / Installation view Enchanted Field (detail) 2023, Gallery of Modern Art (GOMA) Brisbane 2023 / Selected sculptural works / Collection: The artist / Photograph: J Ruckli © QAGOMA

Patricia Piccinini, Australia b.1965 / Installation view Enchanted Field (detail) 2023, Gallery of Modern Art (GOMA) Brisbane 2023 / Selected sculptural works / Collection: The artist / Photograph: J Ruckli © QAGOMA / View full image

Patricia Piccinini, Australia b.1965 / Installation view Enchanted Field (detail) 2023, Gallery of Modern Art (GOMA) Brisbane 2023 / Selected sculptural works / Collection: The artist / Photograph: J Ruckli © QAGOMA

Patricia Piccinini, Australia b.1965 / Installation view Enchanted Field (detail) 2023, Gallery of Modern Art (GOMA) Brisbane 2023 / Selected sculptural works / Collection: The artist / Photograph: J Ruckli © QAGOMA / View full image

Patricia Piccinini, Australia b.1965 / Enchanted Field 2023 / Selected sculptural works / Collection: The artist / Photograph: C Callistemon © QAGOMA

Patricia Piccinini, Australia b.1965 / Enchanted Field 2023 / Selected sculptural works / Collection: The artist / Photograph: C Callistemon © QAGOMA / View full image

Patricia Piccinini, Australia b.1965 / Enchanted Field 2023 installed in ‘Fairy Tales’, Gallery of Modern Art (GOMA), Brisbane 2023, featuring (top left to right) Celestial Field 2021, Mushroom Ring 2021 and Shoeform (Tresses) 2019 / Selected sculptural works / Collection: Patricia Piccinini / © Patricia Piccinini / Photograph: J Ruckli © QAGOMA

Patricia Piccinini, Australia b.1965 / Enchanted Field 2023 installed in ‘Fairy Tales’, Gallery of Modern Art (GOMA), Brisbane 2023, featuring (top left to right) Celestial Field 2021, Mushroom Ring 2021 and Shoeform (Tresses) 2019 / Selected sculptural works / Collection: Patricia Piccinini / © Patricia Piccinini / Photograph: J Ruckli © QAGOMA / View full image

Enchanting forests

Brazilian sculptor Henrique Oliveira is in Brisbane transforming the ‘Fairy Tale’ entrance into a gnarled and twisted woodland. Corupira 2023 incorporates found tree branches, sustainably sourced plywood and strips of tapumes veneer salvaged from construction sites in Brazil. You will definitely be stepping into the woods with this installation.

Brazilian sculptor Henrique Oliveira creating Corupira 2023 commissioned for the exhibition ‘Fairy Tales’, Gallery of Modern Art (GOMA) Brisbane 2023

Brazilian sculptor Henrique Oliveira creating Corupira 2023 commissioned for the exhibition ‘Fairy Tales’, Gallery of Modern Art (GOMA) Brisbane 2023 / View full image

Installing Henrique Oliveira’s Corupira (detail) 2023 at GOMA / Photograph: C Callistemon © QAGOMA

Installing Henrique Oliveira’s Corupira (detail) 2023 at GOMA / Photograph: C Callistemon © QAGOMA / View full image

Henrique Oliveira, Brazil b.1973 / Corupira (detail) 2023, commissioned for ‘Fairy Tales’, Gallery of Modern Art (GOMA) Brisbane 2023 / Plywood, tapumes veneer and tree branches / © Henrique Oliveira / Photograph: C Callistemon © QAGOMA

Henrique Oliveira, Brazil b.1973 / Corupira (detail) 2023, commissioned for ‘Fairy Tales’, Gallery of Modern Art (GOMA) Brisbane 2023 / Plywood, tapumes veneer and tree branches / © Henrique Oliveira / Photograph: C Callistemon © QAGOMA / View full image

Henrique Oliveira’s Corupira (detail) 2023 / Photograph: C Callistemon © QAGOMA

Henrique Oliveira’s Corupira (detail) 2023 / Photograph: C Callistemon © QAGOMA / View full image

Henrique Oliveira, Brazil b.1973 with Corupira 2023, Gallery of Modern Art (GOMA) Brisbane 2023 / Plywood, tapumes veneer and tree branches / Courtesy: Henrique Oliveira / © Henrique Oliveira / Photograph: J Ruckli © QAGOMA

Henrique Oliveira, Brazil b.1973 with Corupira 2023, Gallery of Modern Art (GOMA) Brisbane 2023 / Plywood, tapumes veneer and tree branches / Courtesy: Henrique Oliveira / © Henrique Oliveira / Photograph: J Ruckli © QAGOMA / View full image

Henrique Oliveira, Brazil b.1973 / Corupira (detail) 2023, commissioned for ‘Fairy Tales’, Gallery of Modern Art (GOMA) Brisbane 2023 / Plywood, tapumes veneer and tree branches / © Henrique Oliveira / Photographs: C Callistemon © QAGOMA

Henrique Oliveira, Brazil b.1973 / Corupira (detail) 2023, commissioned for ‘Fairy Tales’, Gallery of Modern Art (GOMA) Brisbane 2023 / Plywood, tapumes veneer and tree branches / © Henrique Oliveira / Photographs: C Callistemon © QAGOMA / View full image

Wild Things

Many furred creatures inhabit the world of fairy tales, a highlight of the ‘Fairy Tale’ exhibition includes Maurice Sendak’s iconic images from his 1963 book Where the Wild Things Are and costumes by the Jim Henson Creature Shop for the 2009 film adaptation. Here, conservator Michael Marendy is making final adjustments to the display.

Spike Jonze (director) United States b.1969, Jim Henson’s Creature Shop (designer) United States est. 1979 / Detail of animatronic costume from Where the Wild Things Are (2009) / Synthetic fur, synthetic hide, synthetic feathers, acrylic, cotton, latex, foam,
polystyrene, nylon, lycra, polyvinyl chloride, speakers, animatronic power cables, plugs, fans, gyrostabiliser, cameras, video monitor / Collection: Warner Brothers Archives, Los Angeles / Photograph: C Callistemon © QAGOMA

Spike Jonze (director) United States b.1969, Jim Henson’s Creature Shop (designer) United States est. 1979 / Detail of animatronic costume from Where the Wild Things Are (2009) / Synthetic fur, synthetic hide, synthetic feathers, acrylic, cotton, latex, foam,
polystyrene, nylon, lycra, polyvinyl chloride, speakers, animatronic power cables, plugs, fans, gyrostabiliser, cameras, video monitor / Collection: Warner Brothers Archives, Los Angeles / Photograph: C Callistemon © QAGOMA / View full image

Spike Jonze (director), United States b.1969; Jim Henson’s Creature Shop (designer), United States est. 1979 / Costumes from Where the Wild Things Are 2009, installation view ‘Fairy Tales’, Gallery of Modern Art (GOMA) Brisbane 2023 / ‘Douglas’ animatronic costume: Synthetic fur, synthetic hide, synthetic feathers, acrylic, cotton, latex, foam, polystyrene, nylon, fibreglass, lycra, polyvinyl chloride, speakers, animatronic power cables, plugs, fans, gyrostabiliser, cameras, video monitor; 260 x 96.5 x 96.5cm / ‘Max’ costume: Synthetic fur, resin, plastic, metal, wire; 170 x 45.7 x 45.7cm / ‘Carol’ animatronic costume: Synthetic fur, synthetic hide, synthetic feathers, acrylic, cotton, latex, foam, polystyrene, nylon, lycra, polyvinyl chloride, speakers, animatronic power cables, plugs, fans, gyrostabiliser, cameras, video monitor; 267 x 119.5 x 99cm / Collection: Warner Brothers Archives, Los Angeles / © Warner Bros. Entertainment Inc. All Rights Reserved / Photograph: C Callistemon © QAGOMA

Spike Jonze (director), United States b.1969; Jim Henson’s Creature Shop (designer), United States est. 1979 / Costumes from Where the Wild Things Are 2009, installation view ‘Fairy Tales’, Gallery of Modern Art (GOMA) Brisbane 2023 / ‘Douglas’ animatronic costume: Synthetic fur, synthetic hide, synthetic feathers, acrylic, cotton, latex, foam, polystyrene, nylon, fibreglass, lycra, polyvinyl chloride, speakers, animatronic power cables, plugs, fans, gyrostabiliser, cameras, video monitor; 260 x 96.5 x 96.5cm / ‘Max’ costume: Synthetic fur, resin, plastic, metal, wire; 170 x 45.7 x 45.7cm / ‘Carol’ animatronic costume: Synthetic fur, synthetic hide, synthetic feathers, acrylic, cotton, latex, foam, polystyrene, nylon, lycra, polyvinyl chloride, speakers, animatronic power cables, plugs, fans, gyrostabiliser, cameras, video monitor; 267 x 119.5 x 99cm / Collection: Warner Brothers Archives, Los Angeles / © Warner Bros. Entertainment Inc. All Rights Reserved / Photograph: C Callistemon © QAGOMA / View full image

Golden coaches

A horse drawn gilded carriage is synonymous with the world of fairy tales it’s the chosen mode of transport for any princess. For those who love magic, fantasy, and happy endings, this sumptuous stagecoach created from crystalised rock sugar by Timothy Horn is a must-see. Conservator Elizabeth Thompson is checking all is well with the delicate artwork before the opening.

Conservator Elizabeth Thompson adding the final touches to Timothy Horn Mother-load 2008, a sumptuously embellished stagecoach created from crystalised rock sugar / Photograph: C Callistemon © QAGOMA

Conservator Elizabeth Thompson adding the final touches to Timothy Horn Mother-load 2008, a sumptuously embellished stagecoach created from crystalised rock sugar / Photograph: C Callistemon © QAGOMA / View full image

Conservator Elizabeth Thompson adding the final touches to Timothy Horn Mother-load 2008, a sumptuously embellished stagecoach created from crystalised rock sugar / Photograph: C Callistemon © QAGOMA

Conservator Elizabeth Thompson adding the final touches to Timothy Horn Mother-load 2008, a sumptuously embellished stagecoach created from crystalised rock sugar / Photograph: C Callistemon © QAGOMA / View full image

Conservator Elizabeth Thompson adding the final touches and documenting the install of Timothy Horn’s Mother-load 2008, a sumptuously embellished stagecoach created from crystalised rock sugar / Photographs: C Callistemon © QAGOMA

Conservator Elizabeth Thompson adding the final touches and documenting the install of Timothy Horn’s Mother-load 2008, a sumptuously embellished stagecoach created from crystalised rock sugar / Photographs: C Callistemon © QAGOMA / View full image

Timothy Horn, Australia/United States b.1964 with Mother-load 2008, Gallery of Modern Art (GOMA) Brisbane 2023 / Crystalised rock sugar, plywood, steel / Courtesy: Timothy Horn / © Timothy Horn / Photograph: J Ruckli © QAGOMA

Timothy Horn, Australia/United States b.1964 with Mother-load 2008, Gallery of Modern Art (GOMA) Brisbane 2023 / Crystalised rock sugar, plywood, steel / Courtesy: Timothy Horn / © Timothy Horn / Photograph: J Ruckli © QAGOMA / View full image

Timothy Horn, Australia/United States b.1964 / Mother-load 2008, Gallery of Modern Art (GOMA) Brisbane 2023 / Crystalised rock sugar, plywood, steel / Courtesy: Timothy Horn / © Timothy Horn / Photograph: N Umek © QAGOMA

Timothy Horn, Australia/United States b.1964 / Mother-load 2008, Gallery of Modern Art (GOMA) Brisbane 2023 / Crystalised rock sugar, plywood, steel / Courtesy: Timothy Horn / © Timothy Horn / Photograph: N Umek © QAGOMA / View full image

Witches

Witches abound in fairy tales, they commonly live far away from towns and villages, self-sufficient, they rarely choose to live with others, their home often enchanted is filled with magical objects, ancient knowledge and power. Sculptor, painter and filmmaker Trulee Hall is in Brisbane installing the wonderfully theatrical jet-black and precariously constructed Witch House (Umbilical Coven) 2023.

Trulee Hall, United States b.1976 installing Witch House (Umbilical Coven) 2023, Gallery of Modern Art (GOMA) Brisbane 2023 / Wood, papier-mache, resin, fabric, stuffing, fake fur, synthetic hair, altered sex dolls, synthetic polymer paint, spray-paint, found candle holders, cornucopia baskets, found ceramic cornucopia, found crystal balls, convex mirror, polymer clay, hardware, LED candles / 431.8 x 685.8 x 436.9cm / Courtesy: Trulee Hall / © Trulee Hall / Photograph: C Callistemon © QAGOMA

Trulee Hall, United States b.1976 installing Witch House (Umbilical Coven) 2023, Gallery of Modern Art (GOMA) Brisbane 2023 / Wood, papier-mache, resin, fabric, stuffing, fake fur, synthetic hair, altered sex dolls, synthetic polymer paint, spray-paint, found candle holders, cornucopia baskets, found ceramic cornucopia, found crystal balls, convex mirror, polymer clay, hardware, LED candles / 431.8 x 685.8 x 436.9cm / Courtesy: Trulee Hall / © Trulee Hall / Photograph: C Callistemon © QAGOMA / View full image

Trulee Hall, United States b.1976 installing Witch House (Umbilical Coven) 2023, Gallery of Modern Art (GOMA) Brisbane 2023 / Wood, papier-mache, resin, fabric, stuffing, fake fur, synthetic hair, altered sex dolls, synthetic polymer paint, spray-paint, found candle holders, cornucopia baskets, found ceramic cornucopia, found crystal balls, convex mirror, polymer clay, hardware, LED candles / 431.8 x 685.8 x 436.9cm / Courtesy: Trulee Hall / © Trulee Hall / Photograph: J Ruckli © QAGOMA

Trulee Hall, United States b.1976 installing Witch House (Umbilical Coven) 2023, Gallery of Modern Art (GOMA) Brisbane 2023 / Wood, papier-mache, resin, fabric, stuffing, fake fur, synthetic hair, altered sex dolls, synthetic polymer paint, spray-paint, found candle holders, cornucopia baskets, found ceramic cornucopia, found crystal balls, convex mirror, polymer clay, hardware, LED candles / 431.8 x 685.8 x 436.9cm / Courtesy: Trulee Hall / © Trulee Hall / Photograph: J Ruckli © QAGOMA / View full image

Trulee Hall, United States b.1976 installing Witch House (Umbilical Coven) 2023, Gallery of Modern Art (GOMA) Brisbane 2023 / Wood, papier-mache, resin, fabric, stuffing, fake fur, synthetic hair, altered sex dolls, synthetic polymer paint, spray-paint, found candle holders, cornucopia baskets, found ceramic cornucopia, found crystal balls, convex mirror, polymer clay, hardware, LED candles / 431.8 x 685.8 x 436.9cm / Courtesy: Trulee Hall / © Trulee Hall / Photograph: J Ruckli © QAGOMA

Trulee Hall, United States b.1976 installing Witch House (Umbilical Coven) 2023, Gallery of Modern Art (GOMA) Brisbane 2023 / Wood, papier-mache, resin, fabric, stuffing, fake fur, synthetic hair, altered sex dolls, synthetic polymer paint, spray-paint, found candle holders, cornucopia baskets, found ceramic cornucopia, found crystal balls, convex mirror, polymer clay, hardware, LED candles / 431.8 x 685.8 x 436.9cm / Courtesy: Trulee Hall / © Trulee Hall / Photograph: J Ruckli © QAGOMA / View full image

Other worlds

Now installed and on view in the Gallery’s foyer are 15 works from contemporary American and Spanish artists Walter Martin and Paloma Muñoz’s ongoing ‘Travelers’ series of snow globes, each contains a unique but disorienting tale devised by the artists. These mesmerising snow globes will captivate you.

15 works from contemporary American and Spanish artists Walter Martin and Paloma Muñoz’s ongoing ‘Travelers’ series of snow globes

15 works from contemporary American and Spanish artists Walter Martin and Paloma Muñoz’s ongoing ‘Travelers’ series of snow globes / View full image

Walter Martin, United States b.1953; Paloma Muñoz, Spain b.1965 / Traveler 263 2009 /Snow globe / 19 x 15.2 x 15.2cm / Purchased 2023 with funds from Tim Fairfax AC through the QAGOMA Foundation / Collection: Queensland Art Gallery | Gallery of Modern Art / © Walter Martin and Paloma Muñoz / Photograph: J Ruckli © QAGOMA

Walter Martin, United States b.1953; Paloma Muñoz, Spain b.1965 / Traveler 263 2009 /Snow globe / 19 x 15.2 x 15.2cm / Purchased 2023 with funds from Tim Fairfax AC through the QAGOMA Foundation / Collection: Queensland Art Gallery | Gallery of Modern Art / © Walter Martin and Paloma Muñoz / Photograph: J Ruckli © QAGOMA / View full image

The ‘Fairy Tales’ exhibition is at Brisbane’s Gallery of Modern Art (GOMA), Australia from 2 December 2023 until 28 April 2024.

Fairy Tales Cinema: Truth, Power and Enchantment‘ presented in conjunction with GOMA’s blockbuster summer exhibition screens at the Australian Cinémathèque, GOMA from 2 December 2023 until 28 April 2024.

The major publication ‘Fairy Tales in Art and Film’ available at the QAGOMA Store and online explores how fairy tales have held our fascination for centuries through art and culture.

‘Fairy Tales’ merchandise available at the GOMA exhibition shop or online.

‘Fairy Tales’ merchandise available at the GOMA exhibition shop or online. / View full image

Elliott Murray is Senior Digital Marketing Officer, QAGOMA