Japanese artist Yayoi Kusama is an international phenomenon. Her captivating creations and unique perspective have made her a pre-eminent figure in 21st century contemporary art. QAGOMA’s long-standing relationship with Kusama and her Tokyo-based studio was established in 1989 and continues this November with our exhibition ‘Yayoi Kusama: Life is the Heart of a Rainbow‘ at GOMA.

1. Career

Yayoi Kusama’s career spans more than 60 years and counting, she is now 88, born on 22 March 1929 in the central Japanese town of Matsumoto, so has been making art longer than most of us have been alive. Around the age of ten, Kusama began making drawings, watercolours, pastels and oils with great enthusiasm. In 1948, against the wishes of her parents, who wanted her to settle down as a housewife, she left home to study Nihonga (Japanese-style painting) in Kyoto.

Yayoi Kusama (second from right) with her father and older siblings, c.1939 / Courtesy Yayoi Kusama Studio, Inc

Yayoi Kusama (second from right) with her father and older siblings, c.1939 / Courtesy Yayoi Kusama Studio, Inc / View full image

2. FASHION

Yayoi Kusama’s 2012 collaboration with Louis Vuitton’s Marc Jacobs is well known, but she has a long history of engagement with fashion. When she moved to the United States in 1957, she took with her a number of kimonos which she intended to sell to support her work as an artist. As her practice expanded into multimedia in the late 1960s, she established Kusama Fashion Company, whose dresses featuring dots, nets and sometimes scandalously cut-out holes sold at prestigious New York stores like Bloomingdales.

Yayoi Kusama’s Fashion Show, Kusama’s Boutique, New York 1968 / © Yayoi Kusama, Yayoi Kusama Studio Inc

Yayoi Kusama’s Fashion Show, Kusama’s Boutique, New York 1968 / © Yayoi Kusama, Yayoi Kusama Studio Inc / View full image

3. Narcissus Garden

Narcissus Garden 1966, comprised of 1500 silver balls, was first shown on a patch of grass between pavilions at the Venice Biennale in June 1966. In an attempt to both engage viewers and critique the commercialism of the art world, Yayoi Kusama decided to sell the balls for 1200 lira ($2) each. She is stopped by Biennale authorities and ejected from the show for selling her work ‘like hot dogs or ice-cream cones’. Kusama re-created the work for our Asia Pacific Triennial of Contemporary Art in 2002, and gifted it to QAGOMA. It is currently on display in the Watermall at the Queensland Art Gallery.

Yayoi Kusama with Narcissus Garden 1966, Venice Biennale

Yayoi Kusama with Narcissus Garden 1966, Venice Biennale / View full image

Installation view of Yayoi Kusama’s Narcissus garden 1966/2002, QAG Watermall 2017 / © Yayoi Kusama, Yayoi Kusama Studio Inc / Photograph: Natasha Harth © QAGOMA

Installation view of Yayoi Kusama’s Narcissus garden 1966/2002, QAG Watermall 2017 / © Yayoi Kusama, Yayoi Kusama Studio Inc / Photograph: Natasha Harth © QAGOMA / View full image

4. Performance

The Narcissus Garden intervention was just one of many performances Yayoi Kusama undertook in 1966 as she produced of a number of actions that were documented in photographs and experimental films. She also began experimenting with psychedelic atmospheres, and throughout the late 1960s and early 1970s became involved with the ‘happening’ scene. Involving the artist and other participants, these events were part celebration and part protest, as Kusama was deeply attuned to the political and social issues of the 1960s. Her nightclub happenings included lights, visuals, music and poetry, while public performances took place in significant locations such as the Brooklyn Bridge, Central Park and Wall Street. They often featured nude, dancing bodies painted with dots, asserting the liberating power of love and vitality against violence and corrupt social values.

Yayoi Kusama’s Self Obliteration by Dots / © Yayoi Kusama, Yayoi Kusama Studio Inc

Yayoi Kusama’s Self Obliteration by Dots / © Yayoi Kusama, Yayoi Kusama Studio Inc / View full image

5. Museum

For all those who love the art of Yayoi Kusama, the much-anticipated Yayoi Kusama Museum opened its doors earlier this month. The five-level Kume Sekkei building, a specially designed museum with glass inserts, is located near her studio in a quiet neighbourhood in Shinjuku in central Tokyo. The museum presents major works from Kusama’s earlier years up until the present day.

Yayoi Kusama Museum / Photograph: Masahiro Tsuchido

Yayoi Kusama Museum / Photograph: Masahiro Tsuchido / View full image

Delve deeper into the world of Yayoi Kusama

Life is the Heart of a Rainbow‘, a survey of Yayoi Kusama’s vast body of work since the 1950s opens at the Gallery of Modern Art (GOMA) on Saturday 4 November 2017. The exhibition explores her key motifs, her engagement with the body, and her conception of space including early painterly experiments, a multi-decade presentation of her celebrated ‘net’ paintings, performance, soft-sculpture, assemblage, the iconic ‘infinity rooms’ and large-scale installations of her later career. It culminates in an encompassing presentation of Kusama’s most recent paintings from the visually arresting ‘My Eternal Soul’ series (2009 – ongoing).

Feature image: Yayoi Kusama, 2017 / © Yayoi Kusama, Yayoi Kusama Studio Inc. Courtesy: Ota Fine Arts, Tokyo