Dutch fashion designer Iris Van Herpen’s restless curiosity has led her to collaborate with pioneering thinkers in the fields of architecture, dance, biology, physics and visual art. This trans-disciplinary ethos also characterises her relationship with her ‘muses’ — groundbreaking figures, such as Björk, Lady Gaga and Tilda Swinton — for whom she creates her Haute Couture.

DELVE DEEPER: Journey through ‘Iris van Herpen: Sculpting the Senses’

Let us take you on a tour of some of the 130 garments and accessories you’ll see from across the designer’s career, arranged according to nine themes in ‘Iris van Herpen: Sculpting the Senses’ at Brisbane’s Gallery of Modern Art (GOMA) until 7 October 2024 — the exhibition having travelled to Brisbane from the Musée des Arts Décoratifs in Paris, where it was one of the most well-attended shows in the museum’s 140 years.

Continuously pushing the boundaries of traditional fashion design, these visionary yet timeless gowns of van Herpen are a favorite among celebrities, worn on the red carpet. These unique garments customised to bring her clientele’s vision to life are also collected by museums.

Watch | Journey through ‘Sculpting the Senses’

Worn by celebrities

From the exhibition entrance, follow a journey from the deep sea to the outer reaches of the cosmos with spectacular gowns worn by Lady Gaga, Ariana Grande, Jennifer Lopez, Beyoncé, Céline Dion, Björk, Lorde, and Grimes; actors and models Gwendoline Christie, Scarlett Johansson, Hailee Steinfeld, Milla Jovovich, Janelle Monae, Sonam Kapoor Ahuja, Maisie Williams, Zoë Kravitz, Cara Delevingne, Fan Bingbing, Kate Moss, Winnie Harlow and Natalia Vodianova.

Worn by Chinese actor Fan Bingbing

Iris van Herpen, Netherlands b.1984 / Ekstasis dress, from the ‘Roots of Rebirth’ collection 2021 / Organza, tulle / Worn by Chinese actor Fan Bingbing / © Iris van Herpen atelier / Photograph: C Callistemon © QAGOMA

Iris van Herpen, Netherlands b.1984 / Ekstasis dress, from the ‘Roots of Rebirth’ collection 2021 / Organza, tulle / Worn by Chinese actor Fan Bingbing / © Iris van Herpen atelier / Photograph: C Callistemon © QAGOMA / View full image

Worn by Grimes in the music video ‘Violence’

Iris van Herpen, Netherlands b.1984 / Suminagashi dress, from the ‘Hypnosis’ collection 2019 / Polyurethane, mylar, tulle / Worn by Grimes in the music video Violence, a song written by Grimes and DJ and music producer i_o / © Iris van Herpen atelier / Photograph: N Umek © QAGOMA

Iris van Herpen, Netherlands b.1984 / Suminagashi dress, from the ‘Hypnosis’ collection 2019 / Polyurethane, mylar, tulle / Worn by Grimes in the music video Violence, a song written by Grimes and DJ and music producer i_o / © Iris van Herpen atelier / Photograph: N Umek © QAGOMA / View full image

Worn by Jennifer Lopez in her music video ‘In the Morning’

Iris van Herpen, Netherlands b.1984 / Shelee Carruthers (Collaborator), Australia b.1977 / Hylozoism dress, from the ‘Sensory Seas’ collection 2020 / Silk organza, duchesse satin, tulle / Worn by Jennifer Lopez in her music video In the Morning / © Iris van Herpen atelier / Photograph: N Umek © QAGOMA

Iris van Herpen, Netherlands b.1984 / Shelee Carruthers (Collaborator), Australia b.1977 / Hylozoism dress, from the ‘Sensory Seas’ collection 2020 / Silk organza, duchesse satin, tulle / Worn by Jennifer Lopez in her music video In the Morning / © Iris van Herpen atelier / Photograph: N Umek © QAGOMA / View full image

Worn by Lady Gaga promoting her album ‘Chromatica’

Iris van Herpen, Netherlands b.1984 / Shelee Carruthers (Collaborator), Australia b.1977 / Sensory Seas dress, from the ‘Sensory Seas’ collection 2020 / PETG, glass organza / Worn by Lady Gaga promoting her album Chromatica / © Iris van Herpen atelier / Photograph: N Umek © QAGOMA

Iris van Herpen, Netherlands b.1984 / Shelee Carruthers (Collaborator), Australia b.1977 / Sensory Seas dress, from the ‘Sensory Seas’ collection 2020 / PETG, glass organza / Worn by Lady Gaga promoting her album Chromatica / © Iris van Herpen atelier / Photograph: N Umek © QAGOMA / View full image

Worn by Lady Gaga promoting her album ‘Chromatica’

Based on the Capricorn Coast of central Queensland, artist Shelee Carruthers pours acrylic paint onto canvas to explore the organic nature of fluid art. Carruthers’s free-flowing creations and her affinity for coastal environments, including the Great Barrier Reef, interested Iris van Herpen and they collaborated on the ‘Sensory Seas’ collection 2020. Here, van Herpen has translated the purple and turquoise hues of one of Carruthers’s abstract paintings of ocean life into the sculptural Hydrozoa dress. Made from ‘waves’ of laser-cut PETG (a type of thermoplastic polyester) that have been heat-bonded to layers of digitally printed glass organza, the dress moves like a blue iridescent jellyfish riding an ocean current.

Iris van Herpen, Netherlands b.1984 / Shelee Carruthers (Collaborator), Australia b.1977 / Hydrozoa dress, from the ‘Sensory Seas’ collection 2020 / PETG, glass organza / Worn by Lady Gaga promoting her album Chromatica / © Iris van Herpen atelier / Photograph: N Umek © QAGOMA

Iris van Herpen, Netherlands b.1984 / Shelee Carruthers (Collaborator), Australia b.1977 / Hydrozoa dress, from the ‘Sensory Seas’ collection 2020 / PETG, glass organza / Worn by Lady Gaga promoting her album Chromatica / © Iris van Herpen atelier / Photograph: N Umek © QAGOMA / View full image

Worn by Björk performing her album ‘Biophilia’

Iris van Herpen, Netherlands b.1984 / AnemoneBiophilia in Paris, 2013 / © Iris van Herpen atelier / Photograph: C Callistemon © QAGOMA

Iris van Herpen, Netherlands b.1984 / AnemoneBiophilia in Paris, 2013 / © Iris van Herpen atelier / Photograph: C Callistemon © QAGOMA / View full image

Worn by actor Hailee Steinfeld at the Met Gala, 2021

Taking over 640 hours to complete, the Magnetosphere dress’s delicate vegetal forms are constructed from multiple layers of laser-cut lace made from upcycled ocean plastic and coastal debris. These layers are individually stitched to fluidly encircle the bodice, echoing Rogan Brown’s intricate papercut artworks, and embodying the cycle of life. Reflecting Iris van Herpen’s desire to live in symbiosis with nature, the dress is also a celebration of the transformation of waste materials into avant-garde, but sustainable, haute couture.

Iris van Herpen , Netherlands b.1984 / Rogan Brown (Collaborator), United Kingdom b.1966 / Parley for the Oceans (Collaborator), United States est.2012 / Magnetosphere dress, from the ‘Earthrise’ collection 2021 / Laser-cut upcycled Parley Ocean Plastic, cotton, mylar, tulle, silk and lace / Worn by actor Hailee Steinfeld at the Met Gala, New York, 2021 / © Iris van Herpen atelier / Photograph: N Umek © QAGOMA

Iris van Herpen , Netherlands b.1984 / Rogan Brown (Collaborator), United Kingdom b.1966 / Parley for the Oceans (Collaborator), United States est.2012 / Magnetosphere dress, from the ‘Earthrise’ collection 2021 / Laser-cut upcycled Parley Ocean Plastic, cotton, mylar, tulle, silk and lace / Worn by actor Hailee Steinfeld at the Met Gala, New York, 2021 / © Iris van Herpen atelier / Photograph: N Umek © QAGOMA / View full image

Worn by model Winnie Harlow at the Met Gala, 2021

From the ‘Earthrise’ collection, the Aerology jumpsuit is reminiscent of a bat skeleton, exposing a complex structural anatomy that is usually hidden to the human eye and translating it into intricate shapes that weave and whirl around the body. Requiring over 800 hours of labour to create, the pearlescent pattern is made from hand-cast silicone shapes that are hand-stitched onto laser-cut outlines and adorn a bodysuit in black stretch tulle. Like an infinitely delicate second skin, the ensemble appears at once graceful and turbulent, as, when worn, the cape recalls a whirlwind, cyclone or storm as it unfurls and swirls around the body.

The Aerology jumpsuit was worn by Winnie Harlow to the 2021 Met Gala in New York. Harlow is known for having depigmented patches on her skin caused by the autoimmune condition called vitiligo, and for her career as a trailblazing, outspoken fashion model.

Iris van Herpen, Netherlands b.1984 / Aerology jumpsuit, from the ‘Earthrise’ collection 2021 / Silicone, tulle, laser-cut crepe, glass organza, mylar / Worn by model Winnie Harlow at the Met Gala, New York, 2021 / © Iris van Herpen atelier / Photograph: N Umek © QAGOMA

Iris van Herpen, Netherlands b.1984 / Aerology jumpsuit, from the ‘Earthrise’ collection 2021 / Silicone, tulle, laser-cut crepe, glass organza, mylar / Worn by model Winnie Harlow at the Met Gala, New York, 2021 / © Iris van Herpen atelier / Photograph: N Umek © QAGOMA / View full image

Worn by singer–songwriter Lorde

Inspired by biologist Merlin Sheldrake’s book Entangled Life: How Fungi Make Our Worlds, Change Our Minds, and Shape Our Futures (2020), the Entangled Life gown honours the beauty and ingenuity of the curious and wondrous world of fungi. An intricately embroidered bodice evokes filaments of mycelium in a subtle play of gold, burnt orange and raw sienna, while the hand-pleated blooming skirt echoes the gills of the underside of a mushroom in a rich shade of venetian red. As the body moves, so too do the ‘gills’ of the skirt, rippling organically to animate the dress.

Iris van Herpen, Netherlands b.1984 / Entangled Life gown, from the ‘Roots of Rebirth’ collection 2021 installed in ‘Iris van Herpen: Sculpting the Senses’, GOMA 2024 / Hand-pleated silk organza, embroidery thread, tulle, wire / Worn by singer–songwriter Lorde performing at Radio City Music Hall, New York, 2022 / © Iris van Herpen atelier / Photograph: Joe Ruckli © QAGOMA

Iris van Herpen, Netherlands b.1984 / Entangled Life gown, from the ‘Roots of Rebirth’ collection 2021 installed in ‘Iris van Herpen: Sculpting the Senses’, GOMA 2024 / Hand-pleated silk organza, embroidery thread, tulle, wire / Worn by singer–songwriter Lorde performing at Radio City Music Hall, New York, 2022 / © Iris van Herpen atelier / Photograph: Joe Ruckli © QAGOMA / View full image

Worn by singer and actor Ariana Grande

Iris van Herpen, Netherlands b.1984 / Entangled Life dress, from the ‘Roots of Rebirth’ collection 2021 installed in ‘Iris van Herpen: Sculpting the Senses’, GOMA 2024 / Silk organza, tulle, wire / Worn by singer and actor Ariana Grande for Allure magazine, September/October 2021 / © Iris van Herpen atelier / Photograph: N Umek © QAGOMA

Iris van Herpen, Netherlands b.1984 / Entangled Life dress, from the ‘Roots of Rebirth’ collection 2021 installed in ‘Iris van Herpen: Sculpting the Senses’, GOMA 2024 / Silk organza, tulle, wire / Worn by singer and actor Ariana Grande for Allure magazine, September/October 2021 / © Iris van Herpen atelier / Photograph: N Umek © QAGOMA / View full image

Worn by musician Grimes

Drawing inspiration from Frank Herbert’s bestselling and much-loved Dune (1965), the Bene Gesserit gown is named after the fictional sisterhood whose powerful members use physical and mental conditioning to nurture superhuman abilities, such as mind control and kinesis.

The dress is composed from silver liquid silicone with a mirror finish, with 3D silicone textures individually cast by hand. Numerous roots of gradient-dyed silk organza are interwoven into the silicone form of the dress and extend into a long, vaporous cape.

Iris van Herpen’s exquisite gown also highlights her involvement in one of the most anticipated events of the fashion calendar — the Met Gala, the annual fundraiser for the Costume Institute of the Metropolitan Museum of Art, New York. Described by the designer as being ‘inspired by distant futures’, the gown was worn by musician Grimes in 2021, the year that Canadian filmmaker Denis Villeneuve’s blockbuster Dune film was released.

Iris van Herpen, Netherlands b.1984 / Bene Gesserit gown, custom look for Grimes 2021 installed in ‘Iris van Herpen: Sculpting the Senses’, GOMA 2024 / Silk organza, silicone, mirror mylar, tulle / Worn by musician Grimes at the Met Gala, New York, 2021 / Collection: Lauren Amos / © Iris van Herpen atelier / Photograph: C Sanders © QAGOMA

Iris van Herpen, Netherlands b.1984 / Bene Gesserit gown, custom look for Grimes 2021 installed in ‘Iris van Herpen: Sculpting the Senses’, GOMA 2024 / Silk organza, silicone, mirror mylar, tulle / Worn by musician Grimes at the Met Gala, New York, 2021 / Collection: Lauren Amos / © Iris van Herpen atelier / Photograph: C Sanders © QAGOMA / View full image

Worn by actor Gwendoline Christie

Iris van Herpen, Netherlands b.1984 / Kim Keever (Collaborator), United States b.1955 / Cosmica gown, from the ‘Shift Souls’ collection 2019 installed in ‘Iris van Herpen: Sculpting the Senses’, GOMA 2024 / Organza, tulle / Worn by actor Gwendoline Christie at the season 8 premiere for Game of Thrones, New York, 2019 / © Iris van Herpen atelier / Photograph: N Umek © QAGOMA

Iris van Herpen, Netherlands b.1984 / Kim Keever (Collaborator), United States b.1955 / Cosmica gown, from the ‘Shift Souls’ collection 2019 installed in ‘Iris van Herpen: Sculpting the Senses’, GOMA 2024 / Organza, tulle / Worn by actor Gwendoline Christie at the season 8 premiere for Game of Thrones, New York, 2019 / © Iris van Herpen atelier / Photograph: N Umek © QAGOMA / View full image

Worn by supermodel Kate Moss

The Fractal Flows dress, a collaboration with artist Perry Hall, is based on the visualisation of soundwaves. Hall’s practice explores painting as a time-based medium, in which paint moves and transforms over time. He exploits natural dynamic forces — such as gravity, turbulence, magnetism and chemical reactions — in real-time improvisations. For this garment, Hall’s live-paintings of soundwaves were printed onto transparent glass organza. The patterned fabric was then cut into spheres, layered and heat-bonded onto laser-cut dendrites of black Komon Koubou (crepe de Chine). In motion, these dendrites vibrate and dance to create a fractal and rhythmic silhouette around the body.

Iris van Herpen, Netherlands b.1984 / Perry Hall (Collaborator), United States b.1967 / Fractal Flows dress, from the ‘Sensory Seas’ collection 2020 installed in ‘Iris van Herpen: Sculpting the Senses’, GOMA 2024 / Glass organza, laser-cut Komon Koubou, tulle / Worn by supermodel Kate Moss in Vogue Hong Kong, March 2021 / © Iris van Herpen atelier / Photograph: N Umek © QAGOMA

Iris van Herpen, Netherlands b.1984 / Perry Hall (Collaborator), United States b.1967 / Fractal Flows dress, from the ‘Sensory Seas’ collection 2020 installed in ‘Iris van Herpen: Sculpting the Senses’, GOMA 2024 / Glass organza, laser-cut Komon Koubou, tulle / Worn by supermodel Kate Moss in Vogue Hong Kong, March 2021 / © Iris van Herpen atelier / Photograph: N Umek © QAGOMA / View full image

Worn by model Winnie Harlow

Iris van Herpen created the Singularity jumpsuit with a collaborative team renowned for their cutting-edge biotechnologies applied to design, enabling the 3D-printing of organic materials such as algae or mycelium. Using these bioprocesses, this dramatic garment has been made from overstock silk organza in a rich shade of bronze, embellished with cacao bean shells that have been transformed into printable biopolymer filaments. These embellishments — adorning the thumbs, and encircling the arms, calves, bodice and neck — elevate the garment so that the wearer seemingly inhabits an otherworldly mythical realm. The Singularity jumpsuit was worn by Winnie Harlow to the 2022 British Fashion Awards in London.

Iris van Herpen, Netherlands b.1984 / Eric Klarenbeek (Collaborator), Netherlands b.1978 / Maartje Dros (Collaborator), Netherlands b.1980 / Nicholas Koscinski (Collaborator), United States b.1992 / Singularity jumpsuit, from the ‘Meta Morphism’ collection 2022 installed in ‘Iris van Herpen: Sculpting the Senses’, GOMA 2024 / 3D-printed cacao shell blend, electroplated in copper; silk organza / Worn by model Winnie Harlow to the 2022 British Fashion Awards, London / © Iris van Herpen atelier / Photograph: C Callistemon © QAGOMA

Iris van Herpen, Netherlands b.1984 / Eric Klarenbeek (Collaborator), Netherlands b.1978 / Maartje Dros (Collaborator), Netherlands b.1980 / Nicholas Koscinski (Collaborator), United States b.1992 / Singularity jumpsuit, from the ‘Meta Morphism’ collection 2022 installed in ‘Iris van Herpen: Sculpting the Senses’, GOMA 2024 / 3D-printed cacao shell blend, electroplated in copper; silk organza / Worn by model Winnie Harlow to the 2022 British Fashion Awards, London / © Iris van Herpen atelier / Photograph: C Callistemon © QAGOMA / View full image

Worn by singer Céline Dion

Iris van Herpen, Netherlands b.1984 / Philip Beesley (Collaborator), Canada b.1956 / Galactic Glitch dress, from the ‘Shift Souls’ collection 2019 / Laser-cut Komon Koubou, mylar / Worn by singer Céline Dion at Iris van Herpen’s Haute couture Spring–Summer 2019 showing, as part of Paris Fashion Week / © Iris van Herpen atelier / Photograph: C Callistemon © QAGOMA

Iris van Herpen, Netherlands b.1984 / Philip Beesley (Collaborator), Canada b.1956 / Galactic Glitch dress, from the ‘Shift Souls’ collection 2019 / Laser-cut Komon Koubou, mylar / Worn by singer Céline Dion at Iris van Herpen’s Haute couture Spring–Summer 2019 showing, as part of Paris Fashion Week / © Iris van Herpen atelier / Photograph: C Callistemon © QAGOMA / View full image

Watch | Iris van Herpen in conversation

‘Iris van Herpen: Sculpting the Senses’ / Gallery of Modern Art (GOMA) Brisbane / 29 June to 7 October 2024, across the ground floor in The Fairfax Gallery (1.1), Gallery 1.2, and the Eric and Marion Taylor Gallery (1.3).

The exhibition is co-organised by the Musée des Arts Décoratifs, Paris and QAGOMA, Brisbane, based on an original exhibition designed by the Musée des Arts Décoratifs, Paris.

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    The transformative potential of unconventional materials in fashion

    Iris van Herpen was born in the village of Wamel, near the town of ‘s-Hertogenbosch, the home of renowned Flemish painter Hieronymus Bosch (c.1450–1516). Growing up, she studied Bosch’s fantastical figures that mix alchemy, mysticism and allegory, and she retains the artist’s taste for hybridisation, an incessant questioning of human and animal nature and an interest in fusing both into chimerical beings. Her spellbinding Snake dress (illustrated), for example, which both envelops and devours the form of the wearer, is inspired by the Greek legend of Medusa — a woman with writhing snakes for hair, whose look could turn people into stone. Iris van Herpen ‘Snake’ dress 2011 Inspired by the myth of Medusa, van Herpen created the Snake dress in 2011, the year she joined the Chambre Syndicale de la Haute Couture. This garment, now an icon in the designer’s repertoire — worn by Björk performing at Roskilde Festival in Denmark in 2012 — is composed of thousands of black strips of glossy black PVC sewn onto a stretch tulle base. Allowing sinuous shapes to intertwine, this process reveals a sculptural silhouette in which the body is invaded by an entanglement of snakes. This bronze sculpture by Papi (illustrated), after the sixteenth-century original by Benvenuto Cellini, represents the Greek myth of Perseus — the son of Zeus, the god of the sky and weather — who slays the Gorgon Medusa and rescues Andromeda from a sea monster. In his quest, he is aided by Hermes and Athena, together with the sisters of the Gorgons, who give him winged sandals to fly, the cap of Hades for invisibility, a curved sword, and a bag in which to conceal the decapitated head. As Medusa’s gaze turned all who looked upon her to stone, Perseus guided himself by using a reflective shield and beheaded Medusa as she slept. This myth inspired van Herpen to create her iconic Snake dress, from her 2011 ‘Capriole’ collection. Van Herpen shares an interest in alchemy with Bosch, first exploring processes of transmutation in her inaugural collection ‘Chemical Crows’ 2008. To create the Alchemic dress (illustrated), she sewed hundreds of golden ribs from umbrellas onto leather straps, suggesting her early ability to see the transformative potential of unconventional materials. Iris van Herpen ‘Alchemic’ neckpiece and skirt 2008 The Alchemic neckpiece and skirt was inspired by the medieval chemical science of alchemy, whose aim was the transmutation of base metals into gold. This neckpiece constructed from hundreds of golden ribs from umbrellas, has transported an everyday, and arguably overlooked, object into the realm of Haute couture. The ensemble — including the slim skirt made of bands of leather connected by hand-stitched, nylon-coated electrical wires — recalls a suit of armour, specifically a yoroi (samurai suit) (illustrated) worn by the warriors and rulers of feudal-era Japan. Influenced by Symbolist and Surrealist literature, van Herpen’s designs in ‘Mythology of fear’, the seventh of nine exhibition themes in ‘Iris van Herpen: Sculpting the Senses’ at Brisbane’s Gallery of Modern Art (GOMA) until 7 October 2024, abound with metaphor, and she loves reinterpreting literary representations of transformation. RELATED: Celebrities dressed by Iris van Herpen DELVE DEEPER: Journey through ‘Iris van Herpen: Sculpting the Senses’ Iris van Herpen ‘Bird’ dress 2013 Explorer of the ethereal and the elusive, van Herpen has taken a particular interest in the anatomy of birds in many of her collections. For the Bird dress (illustrated), from the ‘Wilderness Embodied’ collection 2013, she employs thin sheets of laser cut Dragon Skin™ silicone that are hand-sewn in numerous layers onto an ivory cotton base to suggest a cloak of plumage. Three bird skulls emerge from the abundance of luminous feathers, adorning the dress asymmetrically and adding a mythological dimension to this otherworldly garment. Iris van Herpen ‘Radiation Invasion’ dress 2009 Worn by Lady Gaga in 2011 to Nevermind nightclub, Sydney, van Herpen’s Radiation Invasion dress (illustrated), from the 2009 collection of the same name, highlights the way the body is constantly invaded by electromagnetic radiation as we go about our daily lives — from microwaves, infrared light, ultraviolet light, visible light to X-rays. The garment also calls attention to the way we are bombarded with endless streams of digital information in our contemporary world. These radiation waves and data transmissions are embodied in the three-dimensional waves that have been hand-stitched onto an eco-leather bodycon dress. Each wave contains a metallic-coated strip that creates ripples of golden reflections, in turn visualising the omnipresence of radiation. Iris van Herpen ‘Magnetic Moon’ dress 2013 Produced in collaboration with Dutch artist Jólan van der Wiel, van Herpen created the incredible texture of the Magnetic Moon dress (illustrated) using pure iron filings and large magnets. The filings were mixed into resin, and while the substance was still wet, it was applied to a cotton fabric base. Large magnets were then used to ‘sculpt’ the three-dimensional ‘moon’ surface, in a compositional process balancing the contradictory dynamics of control and chance. As the dress was drying, nano pigments in shades of teal, green and lavender were blown onto the surface, creating an iridescent sheen. Van Herpen was inspired by van der Wiel’s practice in which he creates ‘gravity’ design pieces — such as stools and candelabra inspired by natural organic forms — by exerting gravitational forces on plastic that has been infused with magnets. Iris van Herpen ‘Argiope’ dress 2016 Inspired by the webs woven by Argiope spiders, the Argiope dress (illustrated) was modelled using Maya software to generate increasingly complex shapes. Blending cutting-edge technology and exquisite craftsmanship, the uninterrupted white lace pattern is printed in 3D, then hand sewn onto a base of black silk, giving the impression of a dress entirely contaminated by a complex web. Somewhere between nature and science fiction, this re-imagined spiderweb imprisons the body in an elaborate cocoon. Watch | Journey through ‘Sculpting the Senses’ Watch | Iris van Herpen in conversation ...
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    Art meets fashion in ‘Sculpting the Senses’

    One of the most rewarding aspects of translating ‘Iris van Herpen: Sculpting the Senses’ for a Brisbane context and audience was the opportunity to bring van Herpen’s extraordinary designs into conversation with artworks from the QAGOMA collection. These staged pairings enabled us to expand upon the original curatorial premise of the Paris exhibition, opening up new dialogues and thematic connections, while also imbuing the exhibition with a unique resonance for Australian visitors. It felt faithful to the spirit of van Herpen’s expanded view of fashion, in which she connects the practice organically with many other fields of enquiry, and at the same time, offered us some curatorial scope to re-imagine the exhibition in ways that were both site-specific and meaningful for Brisbane. Guided by the nine chapters of the exhibition, we compiled a shortlist of artworks that we thought shared visual, formal, conceptual or thematic synergies with van Herpen’s work. We had conversations over many months about artists with whom van Herpen shared a natural affinity, or took inspiration from — some she knew personally or had collaborated with previously, others were a new discovery. Their inclusion in the exhibition speaks to her openness and responsiveness to new ideas and ways of looking at the world, her innate curiosity and her essentially collaborative approach to her work. Let us introduce you to our Collection artworks in ‘Iris van Herpen: Sculpting the Senses’ at Brisbane’s Gallery of Modern Art (GOMA) until 7 October 2024, and also highlight some of the contemporary works on loan that you will only see during the exhibition. QAGOMA Collection Dale Chihuly Inspired by his experience exploring underwater worlds, Dale Chihuly’s glass form Seaform Macchia group #85.84.7 (illustrated) echoes the unfurling form of a clam. The Italian term ‘macchia’ of the title refers to densely growing flora, and is adopted by the artist to describe the fine undulations typical of the molluscs, corals and other marine invertebrates that he conjures in seven pieces of glass. The semi-translucent beauty of this sculpture resonates with the qualities of the ocean, where light is captured, refracted and transmitted endlessly, responding to the infinitely variable climatic conditions of the marine environment. In this respect, it shares synergies with van Herpen’s marine-inspired designs: the Mano-Maya dress, from the ‘Meta Morphism’ collection 2022 and Sensory Seas dress, from the ‘Sensory Seas’ collection 2020 (illustrated). Anne Noble Essential to the life cycle of flowers and the agricultural systems that sustain human life, the humble bee is at once mighty and fragile. Anne Noble’s Dead Bee Portraits (illustrated) use microscopic photography to create ghostly images of deceased bees, in which even the finest hair on the insect’s body is delineated. To be visible to the electronic beam, the bees were dusted in gold, revealing battered wings and antennae under the enormous magnification. Van Herpen is similarly captivated by the microscopic details of nature’s design and she frequently draws inspiration from them in her biomimetic garments. Cai Guo-Qiang Cai Guo-Qiang’s Explosion Process Drawing for Dragon or Rainbow Serpent: A Myth Glorified or Feared: Project for Extraterrestrials No. 28 (Illustrated) is made from detonating gunpowder on paper in ways that leave a residue of scorch marks. Having worked with the forces of gravity and magnetism in some of her designs, van Herpen shares Cai’s commitment to experimenting with unpredictable media, appreciating that the universe holds the forces of creation and destruction in a constant state of flux. Inspired by commonalities between the stories of the Rainbow Serpent from the Dreamtime and the mythology of the Chinese Dragon, the drawing recalls the calligraphic form of traditional Chinese ink painting, which delicately balances the contradictory tensions of control and spontaneity. Sopheap Pich Sopheap Pich’s Buddha (illustrated) hovers between figuration and abstraction. It is difficult to discern if this ghostlike figure is coming into existence or unravelling in a suspended state of entropy. Meticulously crafted from rattan and bamboo, Pich’s Buddha combines traditional weaving techniques with the visual language of contemporary sculpture. In marrying the old with the new, and the past with the present, it finds parallels with van Herpen’s approach which brings age-old artisanal craftsmanship together with a distinctly futuristic aesthetic. Yayoi Kusama Taking inspiration from rippling waves viewed from above while on a flight from Tokyo to Seattle, Yayoi Kusama began her ‘Infinity nets’ series in the late 1950s, this example Infinity nets (illustrated) is from later in her career. Kusama’s Infinity nets painting comprises tiny crescent shapes repeated in ever-expanding arches on a white monochromatic ground. The undulating surface conveys the sensation of the hallucinations — perceived as a veil of dots — that the artist has experienced since she was a child. Van Herpen has long been interested in how neurological conditions affect our perception of the world, often playing with optical illusions and distortions of form in her work. Kohei Nawa Kohei Nawa’s works fuse the natural and virtual realms through exquisite studies in form and perception. In PixCell-Double Deer #4 (illustrated), two taxidermied deer in identical poses have been sliced together to produce an optical doubling, which the artist likens to the effect produced when holding ‘Ctrl+C’ on a keyboard. The outer surface of transparent beads approximates the thousands of pixels that make up digital images, as Nawa attempts to recreate the visual experience of the computer screen in sculptural form. The beaded silhouettes of the deer become unstable and dynamic as the viewer moves around the sculpture, suggesting a disjunction between visual perception and bodily experience in the internet age. Nawa’s work was known to van Herpen, who admired the Japanese artist’s almost dreamlike explorations into the elasticity of perception. Doris Platt In the 1970s, Doris Platt and her husband were cattle-musterers at Marina Plains cattle station, south of Coen in Cape York Peninsula, where goannas were found in abundance. Goanna skin (illustrated), which is based on Indigenous sand-drawings, builds around striated bands that...
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