Looking for a free weekend outing for the family, a spot to socilaise with friends, or maybe a relaxing space to spend some 'me time'? Head to Brisbane's most visited galleries — the Queensland Art Gallery (QAG) and Gallery of Modern Art (GOMA) are both nestled beside the Brisbane River and just a short stroll along the river-front from the South Bank Parklands.

QAG and GOMA are just 150 metres apart — each has a distinct artwork display focus and unique architectural personalities. QAG's characteristic concrete brutalist exterior, emerging from the modernist movement, won the most outstanding public building in Australia when it opened in 1982. GOMA, on the other hand, is defined by a dual black box/white box architectural arrangement, with a bold pavilion-style design influenced by the traditional ‘Queenslander’ home. It won both National and State awards for Public Architecture when it opened in 2006. Both buildings, in their own way, changed the face of the city’s South Bank waterfront.

What they have in common, however, is together they offer a creative and cultural hub for Brisbane and Queensland — a place where people come together to relax, to be inspired and where imagination and creativity spark as visitors young and old, from different walks of life, enjoy a stunning mix of Australian, Pacific, Asian and International art.

Queensland Art Gallery

Queensland Art Gallery, Melbourne Street entrance

Queensland Art Gallery, Melbourne Street entrance / View full image

Gallery of Modern Art

Exterior, Gallery of Modern Art, Stanley Place entrance

Exterior, Gallery of Modern Art, Stanley Place entrance / View full image

These adjacent buildings are easy to wander through, their spacious interiors exuding calm and allowing rejuvenating daylight to stream inside. QAG speaks to the Brisbane River, with its spectacular cavernous interior and central Watermall parallel with the river just outside, while GOMA and it's vast central Long Galley, is about connecting with the city, every time you step out of an exhibition space you re-engage with the Brisbane skyline and its multiple river vistas.

So now it’s up to you to choose your weekend escape — QAG, GOMA, or maybe both? Visit QAG to reacquaint yourself to our Collection favourites on permanent display — maybe it's the Picasso, Degas or Toulouse-Lautrec, or our best-loved Australian artists, or the exhibitions currently installed at GOMA.

Queensland Art Gallery

Collection highlights: International art

Surrounded by works from Henri de Toulouse-Lautrec, Camille Pissarro (illustrated), and Edgar Degas (illustrated), La Belle Hollandaise (The beautiful Dutch girl) 1905 (illustrated) is a key painting by Pablo Picasso, the work donated to the Gallery in 1959, at the time this major work by one of the greatest living twentieth century masters set a world record price at £55,000. Watch the auction to go back in time before you visit.

Pablo Picasso La Belle Hollandaise 1905

Pablo Picasso, Spain 1881–1973 / La Belle Hollandaise 1905 / Gouache, oil and chalk on cardboard laid down on wood / 77.1 x 65.8cm / Purchased 1959 with funds donated by Major Harold de Vahl Rubin / Collection: Queensland Art Gallery | Gallery of Modern Art / © Succession Picasso/Copyright Agency

Pablo Picasso, Spain 1881–1973 / La Belle Hollandaise 1905 / Gouache, oil and chalk on cardboard laid down on wood / 77.1 x 65.8cm / Purchased 1959 with funds donated by Major Harold de Vahl Rubin / Collection: Queensland Art Gallery | Gallery of Modern Art / © Succession Picasso/Copyright Agency / View full image

Camille Pissarro La lessive à Éragny (Washing day at Éragny) 1901

Camille Pissarro, France 1830–1903 / La lessive à Éragny (Washing day at Éragny) 1901 / Oil on canvas / 33 x 40.5cm / Purchased 1975 / Collection: Queensland Art Gallery | Gallery of Modern Art

Camille Pissarro, France 1830–1903 / La lessive à Éragny (Washing day at Éragny) 1901 / Oil on canvas / 33 x 40.5cm / Purchased 1975 / Collection: Queensland Art Gallery | Gallery of Modern Art / View full image

Edgar Degas (Dancer looking at the sole of her right foot, fourth study) c.1882-1900

Edgar Degas, France 1834-1917 / Danseuse regardant la plante de son pied droit, quatrième étude (Dancer looking at the sole of her right foot, fourth study) c.1882-1900, cast before 1954 / Bronze, dark brown and green patina / 46.2 x 25 x 18cm / Gift of Philip Bacon AM, in memory of Margaret Olley AC, through the QAG Foundation 2012. Donated through the Australian Government’s Cultural Gifts Program / Collection: Queensland Art Gallery | Gallery of Modern Art

Edgar Degas, France 1834-1917 / Danseuse regardant la plante de son pied droit, quatrième étude (Dancer looking at the sole of her right foot, fourth study) c.1882-1900, cast before 1954 / Bronze, dark brown and green patina / 46.2 x 25 x 18cm / Gift of Philip Bacon AM, in memory of Margaret Olley AC, through the QAG Foundation 2012. Donated through the Australian Government’s Cultural Gifts Program / Collection: Queensland Art Gallery | Gallery of Modern Art / View full image

Collection highlights: Australian art

The work of Australian artists have been collected by the Queensland Art Gallery since its foundation in 1895, however few works in our Collection have enjoyed as much popularity as Under the jacaranda 1903 by R Godfrey Rivers (illustrated).

R Godfrey Rivers Under the jacaranda 1903

R. Godfrey Rivers, England/Australia 1858-1925 / Under the jacaranda 1903 / Oil on canvas / 143.4 x 107.2 cm / Purchased 1903 / Collection: Queensland Art Gallery | Gallery of Modern Art

R. Godfrey Rivers, England/Australia 1858-1925 / Under the jacaranda 1903 / Oil on canvas / 143.4 x 107.2 cm / Purchased 1903 / Collection: Queensland Art Gallery | Gallery of Modern Art / View full image

Sydney Long Spirit of the Plains 1897

Sydney Long, Australia 1871-1955 / Spirit of the Plains 1897 / Oil on canvas on wood / 62 x 131.4cm / Gift of William Howard-Smith in memory of his grandfather, Ormond Charles Smith 1940 / Collection: Queensland Art Gallery | Gallery of Modern Art

Sydney Long, Australia 1871-1955 / Spirit of the Plains 1897 / Oil on canvas on wood / 62 x 131.4cm / Gift of William Howard-Smith in memory of his grandfather, Ormond Charles Smith 1940 / Collection: Queensland Art Gallery | Gallery of Modern Art / View full image

E Phillips Fox The end of the story c.1911-12

E Phillips Fox, Australia/France 1865-1915 / The end of the story c.1911-12 / Oil on canvas / 73.5 x 100.4cm / Purchased 1949 / Collection: Queensland Art Gallery | Gallery of Modern Art

E Phillips Fox, Australia/France 1865-1915 / The end of the story c.1911-12 / Oil on canvas / 73.5 x 100.4cm / Purchased 1949 / Collection: Queensland Art Gallery | Gallery of Modern Art / View full image

Collection highlights: Contemporary Australian art

The Contemporary Australian Art Collection is rich in paintings, major installation, cross-media and moving image works which are central to contemporary art practice. The Collection includes an outstanding group of works by major Queensland artists.

Jeffrey Smart The reservoir, Centennial Park 1988

Jeffrey Smart, Australia/Italy 1921-2013 / The reservoir, Centennial Park 1988 / Oil on canvas / 72 x 91.6cm / Purchased 1989 with funds from Coles-Myer through the Queensland Art Gallery Foundation / Collection: Queensland Art Gallery | Gallery of Modern Art / © Estate of Jeffrey Smart

Jeffrey Smart, Australia/Italy 1921-2013 / The reservoir, Centennial Park 1988 / Oil on canvas / 72 x 91.6cm / Purchased 1989 with funds from Coles-Myer through the Queensland Art Gallery Foundation / Collection: Queensland Art Gallery | Gallery of Modern Art / © Estate of Jeffrey Smart / View full image

William Robinson Rainforest and mist in afternoon light 2002

William Robinson, Australia b.1936 / Rainforest and mist in afternoon light 2002 / Oil on linen / 167.5 x 243.5cm / Acc. 2017.366 / Purchased 2017. Queensland Art Gallery | Gallery of Modern Art Foundation / Collection: Queensland Art Gallery | Gallery of Modern Art/ © William Robinson

William Robinson, Australia b.1936 / Rainforest and mist in afternoon light 2002 / Oil on linen / 167.5 x 243.5cm / Acc. 2017.366 / Purchased 2017. Queensland Art Gallery | Gallery of Modern Art Foundation / Collection: Queensland Art Gallery | Gallery of Modern Art/ © William Robinson / View full image

Fiona Hall Australian set (from ‘Paradisus Terrestris Entitled’ series) (detail) 1998–99

Fiona Hall, Australia b.1953 / Works from Australian set (from ‘Paradisus Terrestris Entitled’ series) 1998–99 / Aluminium and tin / Thirteen pieces: 28 x 18 x 4cm (each, approx.) / Purchased 2021. The Josephine Ulrick and Win Schubert Charitable Trust / Collection: The Josephine Ulrick and Win Schubert Charitable Trust, Queensland Art Gallery | Gallery of Modern Art / © Fiona Hall

Fiona Hall, Australia b.1953 / Works from Australian set (from ‘Paradisus Terrestris Entitled’ series) 1998–99 / Aluminium and tin / Thirteen pieces: 28 x 18 x 4cm (each, approx.) / Purchased 2021. The Josephine Ulrick and Win Schubert Charitable Trust / Collection: The Josephine Ulrick and Win Schubert Charitable Trust, Queensland Art Gallery | Gallery of Modern Art / © Fiona Hall / View full image

Collection highlights: Indigenous Australian art

Artistic expressions from the world's oldest continuing culture are drawn from all regions of the country in the Gallery's holdings of Indigenous Australian artworks.

Walangkura Napanangka's Untitled (Tjintjintjin) 2006 (illustrated) depicts the rockhole and cave site of Tjintjintjin, to the west of Walungurra (Kintore) in Western Australia. The symbols in this painting map out the area's geographical features, through which ancestor figure Kutungka Napanangka passed on her travels across the Gibson Desert during the creation time.

Kaapa Mbitjana Tjampitjinpa's  Goanna Story c.1973-74 (illustrated) is from one of the traditional dreaming stories, and this work shows four of the reptiles moving towards a waterhole.

Walangkura Napanangka Untitled (Tjintjintjin) 2006

Walangkura Napanangka, Pintupi people, Australia c.1946–2014 / Untitled (Tjintjintjin) 2006 / Synthetic polymer paint on Belgian linen / 183 x 244cm / Purchased 2008.The Queensland Government's GOMA Acquisitions Fund / Collection: Queensland Art Gallery | Gallery of Modern Art / © Walangkura Napanangka Estate

Walangkura Napanangka, Pintupi people, Australia c.1946–2014 / Untitled (Tjintjintjin) 2006 / Synthetic polymer paint on Belgian linen / 183 x 244cm / Purchased 2008.The Queensland Government's GOMA Acquisitions Fund / Collection: Queensland Art Gallery | Gallery of Modern Art / © Walangkura Napanangka Estate / View full image

Kaapa Mbitjana Tjampitjinpa Goanna Story c.1973–74

Kaapa Mbitjana Tjampitjinpa, Anmatyerre/Arrernte people, Australia c.1925–89 / Goanna Story c.1973–74 / Synthetic polymer paint on board / 76 x 60.2cm / Purchased 1996 with funds from National Australia Bank Limited through the QAG Foundation / Collection: Queensland Art Gallery | Gallery of Modern Art / © Kaapa Mbitjana Tjampitjinpa Estate/Licensed by Aboriginal Artists Agency

Kaapa Mbitjana Tjampitjinpa, Anmatyerre/Arrernte people, Australia c.1925–89 / Goanna Story c.1973–74 / Synthetic polymer paint on board / 76 x 60.2cm / Purchased 1996 with funds from National Australia Bank Limited through the QAG Foundation / Collection: Queensland Art Gallery | Gallery of Modern Art / © Kaapa Mbitjana Tjampitjinpa Estate/Licensed by Aboriginal Artists Agency / View full image

Drawing from the Collection

On any day at QAG, get creative and pick up our free drawing materials and draw from your favourite works on display. Just grab a drawing board, paper and pencil, then take inspiration from the art around you in either the permanent Australian or International Art Collections.

Drawing from the Australian Art Collection featuring Under the jacaranda by R Godfrey Rivers / Photograph: K Bennett © QAGOMA

Drawing from the Australian Art Collection featuring Under the jacaranda by R Godfrey Rivers / Photograph: K Bennett © QAGOMA / View full image

QAG Cafe

If you work up an appetite on your visit, enjoy a bite to eat at the QAG Cafe. Perfect for some quiet contemplation beside the Watermall's Dandelion fountains, reflection pond and Sculpture Courtyard or head inside beside Tamika Grant-Iramu's striking landscape mural of frangipani and bougainvillea.

Tamika Grant-Iramu, Papua New Guinean, European and Torres Strait Islander heritage, Australia b.1995 / A Verdant Landscape 2025, QAG Cafe 2025 / Hand-painted mural, design derived from original relief-print on paper / Commissioned 2025 with funds from the Queensland Art Gallery | Galley of Modern Art Foundation / © Tamika Grant-Iramu / Photographs: J Ruckli © QAGOMA

Tamika Grant-Iramu, Papua New Guinean, European and Torres Strait Islander heritage, Australia b.1995 / A Verdant Landscape 2025, QAG Cafe 2025 / Hand-painted mural, design derived from original relief-print on paper / Commissioned 2025 with funds from the Queensland Art Gallery | Galley of Modern Art Foundation / © Tamika Grant-Iramu / Photographs: J Ruckli © QAGOMA / View full image

Gallery of Modern Art

Collection highlights: Contemporary Asian & Pacific art

Lê Thuý is a skilled practitioner of the traditional Vietnamese arts of silk and lacquer painting, the multi-part installation Echo 2024 (illustrated) evokes a ruined house.

Haji Oh's textile installation Seabird Habitats 2022 (illustrated) is a single tableau of seven suspended woven panels that map the entanglement of Korean labour in the history of colonialism in the Asia Pacific region.

Jasmine Togo-Brisby is a fourth-generation Australian South Sea Islander whose research-driven practice examines the historical practice of ‘blackbirding’, which is a romanticised colloquialism for the Pacific slave trade.

View these works until 13 July 2025

Lê Thu Echo 2023

Lê Thu, Việt Nam b.1988 / Echo 2023, installation view ‘The 11th Asia Pacific Triennial of Contemporary Art’ 2024 / Doors: Lacquer, gold and silver leaf, mineral pigment on wood; Silk paintings: Ink, calligraphy, synthetic polymer paint and embroidery on silk; Brick fragments: Concrete and lacquer / Nine doors; seven silk paintings; six brick fragments / Purchased 2024 with funds from Tim Fairfax AC through the QAGOMA Foundation / Collection: Queensland Art Gallery | Gallery of Modern Art Foundation / © Lê Thu / This project is supported by the Commonwealth through the Office for the Arts, part of the Department of Infrastructure, Transport, Regional Development, Communications and the Arts / Photograph: N Umek © QAGOMA

Lê Thu, Việt Nam b.1988 / Echo 2023, installation view ‘The 11th Asia Pacific Triennial of Contemporary Art’ 2024 / Doors: Lacquer, gold and silver leaf, mineral pigment on wood; Silk paintings: Ink, calligraphy, synthetic polymer paint and embroidery on silk; Brick fragments: Concrete and lacquer / Nine doors; seven silk paintings; six brick fragments / Purchased 2024 with funds from Tim Fairfax AC through the QAGOMA Foundation / Collection: Queensland Art Gallery | Gallery of Modern Art Foundation / © Lê Thu / This project is supported by the Commonwealth through the Office for the Arts, part of the Department of Infrastructure, Transport, Regional Development, Communications and the Arts / Photograph: N Umek © QAGOMA / View full image

Haji Oh Seabird Habitats 2022

Haji Oh, Japan/Australia b.1976 / Seabird Habitats 2022, installation view ‘The 11th Asia Pacific Triennial of Contemporary Art’ 2024 / Linen (plainwoven, warp-faced, pick-up patterned, four-selvedge cloth), lead, hook, slide projection / Seven panels: 300 × 41cm (each); 300 × 287cm (installed); floor projection 550 × 400cm / Courtesy: The artist / Proposed for the Queensland Art Gallery | Gallery of Modern Art Collection / © Haji Oh / This project is assisted by the Ishibashi Foundation and the National Center for Art Research, Japan / Photograph: Joe Ruckli © QAGOMA

Haji Oh, Japan/Australia b.1976 / Seabird Habitats 2022, installation view ‘The 11th Asia Pacific Triennial of Contemporary Art’ 2024 / Linen (plainwoven, warp-faced, pick-up patterned, four-selvedge cloth), lead, hook, slide projection / Seven panels: 300 × 41cm (each); 300 × 287cm (installed); floor projection 550 × 400cm / Courtesy: The artist / Proposed for the Queensland Art Gallery | Gallery of Modern Art Collection / © Haji Oh / This project is assisted by the Ishibashi Foundation and the National Center for Art Research, Japan / Photograph: Joe Ruckli © QAGOMA / View full image

Jasmine Togo-Brisby Copper Archipelago 2024

Jasmine Togo-Brisby, Australian South Sea Islander, Australia b.1982 / Copper Archipelago 2024 / Copper, resin and steel / 50 × 960 × 360cm (approx.) / Commissioned for ‘The 11th Asia Pacific Triennial of Contemporary Art’ / Purchased 2024 with funds from Tim Fairfax AC through the QAGOMA Foundation / This project is supported by the Queensland Government through Arts Queensland and assisted by the Australian Government through Creative Australia, its principal arts investment and advisory body / Collection: Queensland Art Gallery | Gallery of Modern Art / © Jasmine Togo-Brisby

Jasmine Togo-Brisby, Australian South Sea Islander, Australia b.1982 / Copper Archipelago 2024 / Copper, resin and steel / 50 × 960 × 360cm (approx.) / Commissioned for ‘The 11th Asia Pacific Triennial of Contemporary Art’ / Purchased 2024 with funds from Tim Fairfax AC through the QAGOMA Foundation / This project is supported by the Queensland Government through Arts Queensland and assisted by the Australian Government through Creative Australia, its principal arts investment and advisory body / Collection: Queensland Art Gallery | Gallery of Modern Art / © Jasmine Togo-Brisby / View full image

Free children activities

Children are our future appreciation group, we welcome families with children of all ages to the Children’s Art Centre. Visit GOMA to experience activities in collaboration by artists.

Free cinema

The Australian Cinémathèque at GOMA provides an ongoing program of film and video that you're unlikely to see elsewhere. Search what weekend matinee is screening when you visit. GOMA is the only Australian art gallery with purpose-built facilities dedicated to film and the moving image, and hidden beneath the stage and only revealed for special screenings is our much-loved 1929 Wurlitzer Style 260 Opus 2040 Pipe Organ, its original home Brisbane’s Regent Theatre which opened in November 1929. Find out how it ended up at GOMA.

GOMA Cafe

Over at GOMA, our new cafe offers a traditional lunch selection, small plates for sharing and a range of pastries and cakes baked daily, dine at a table inside or on the balcony. This exciting new outlet has opened with the temporary closure of the GOMA Bistro as we install Tony Albert and Nell’s play sculpture The BIG HOSE on the river’s edge. Find out more about the upcoming artist-designed play sculpture.

GOMA Cafe / Photographs: J Ruckli © QAGOMA

GOMA Cafe / Photographs: J Ruckli © QAGOMA / View full image

If you still can’t decide what to do, then let our Volunteer Guides make it easy for you with one of our free guided tours. These take place in both Gallery’s on most days, lasting 30-40 minutes. Here’s the link to the QAGOMA Events Calendar for tour times.

While you’re here, why not pop-in to one of the three QAGOMA Stores packed with inspiring books, stylish accessories, designer homewares and cultural curios to take home.

We look forward to welcoming you to QAGOMA. Enjoy your visit!

Sunset viewing

Got an evening hour to spare? The Gallery of Modern Art’s Night Life 2018 (illustrated) is James Turrell’s architectural light work and the only one of its kind in the Southern Hemisphere. As the sky shifts to dusk, Night Life animates the Gallery in an ever-evolving pattern of intensifying and diffusing coloured light from within that envelops the building. This immersive artwork has found a place in the hearts and minds of countless Brisbane residents and tourists.

Daily from sunset to midnight, the light sequence runs for 88 minutes.

James Turrell Night Life 2018

James Turrell, United States, b.1943 / Night Life 2018 / Architectural light installation (exterior) / Commissioned 2017 to mark the 10th anniversary of the opening of the Gallery of Modern Art. This project has been realised with generous support from the Queensland Government; Paul, Sue and Kate Taylor; the Neilson Foundation; and the QAGOMA Foundation Appeal / Collection: Queensland Art Gallery | Gallery of Modern Art / © James Turrell / Photograph: N Harth © QAGOMA

James Turrell, United States, b.1943 / Night Life 2018 / Architectural light installation (exterior) / Commissioned 2017 to mark the 10th anniversary of the opening of the Gallery of Modern Art. This project has been realised with generous support from the Queensland Government; Paul, Sue and Kate Taylor; the Neilson Foundation; and the QAGOMA Foundation Appeal / Collection: Queensland Art Gallery | Gallery of Modern Art / © James Turrell / Photograph: N Harth © QAGOMA / View full image

James Turrell, United States b.1943 / Night Life 2018 / Architectural light installation (exterior) / Commissioned 2017 to mark the 10th anniversary of the opening of the Gallery of Modern Art. This project has been realised with generous support from the Queensland Government; Paul, Sue and Kate Taylor; the Neilson Foundation; and the QAGOMA Foundation Appeal / Collection: Queensland Art Gallery | Gallery of Modern Art / © James Turrell / Photograph: F Holzherr © QAGOMA

James Turrell, United States b.1943 / Night Life 2018 / Architectural light installation (exterior) / Commissioned 2017 to mark the 10th anniversary of the opening of the Gallery of Modern Art. This project has been realised with generous support from the Queensland Government; Paul, Sue and Kate Taylor; the Neilson Foundation; and the QAGOMA Foundation Appeal / Collection: Queensland Art Gallery | Gallery of Modern Art / © James Turrell / Photograph: F Holzherr © QAGOMA / View full image

Elliott Murray is Senior Digital Marketing Officer, QAGOMA

Queensland Art Gallery | Gallery of Modern Art (QAGOMA)

Our two galleries are a short walk from the city and adjacent to South Bank Parklands, and only 150 metres apart. QAG's riverfront entry is near Melbourne St and Victoria Bridge, and both buildings have an entrance from Stanley Place.

Parking for the Cultural Precinct is available in two neighbouring carparks under the Queensland Art Gallery (QAG) and State Library of Queensland (SLQ), both accessible via Stanley Place.

QAGOMA is right next to the Cultural Centre Busway station and a short walk from the South Brisbane train station and the South Bank CityCat and Ferry terminal.

Daily: 10.00 am – 5.00 pm
Open from 12 noon Anzac Day
Closed Good Friday, Christmas Day & Boxing Day