From tales of love to stories of exile, to sweeping landscapes, the current free film program from 7 October – 23 November 2022 at the Australian Cinémathèque, GOMA offers a journey through ‘The cinema of Tibet’. A filmmaking region that outputs only a small number of films, the quality of films and documentaries produced are outstanding and offer a rich insight into daily life both inside Tibet and of Tibetans in exile. Here are five films that present a window into Tibetan filmmaking.

#1
Amala – The Life and Struggles of the Dalai Lama’s Sister 2022

Join us for the Australian Premiere of this exciting new documentary. As Spiritual leader of the Tibetan people, the Dalai Lama is the figurehead of Tibetan culture, yet less is known of his sister – the indomitable Jetsun Pema known as Amala (mother). This engaging look at a generous and courageous woman is a masterclass in solidarity, a life of service and the deep need for expression of identity.

Production still from Amala – The Life and Struggle of the Dalai Lama’s Sister 2022 / Director: Geleck Palsang / Image courtesy: Geleck Palsang

Production still from Amala – The Life and Struggle of the Dalai Lama’s Sister 2022 / Director: Geleck Palsang / Image courtesy: Geleck Palsang / View full image

#2
Balloon 2019

Set on the stunning Tibetan steppes, Balloon follows a loving family as they navigate the challenges of their conservative farming community, spiritual obligations and China’s one-child policy with dignity and kindness. Dargye (Jinpa) and Drolkar (Sonam Wangmo) are parents to two cheeky boys, whose innocent discovery of a condom causes a stir in their rural community, to the embarrassment of the family. Tibet’s foremost director Pema Tseden deftly explores constraining gender roles and the frisson between tradition and modernity, crafting a gentle film told with humanity and humour.

Production still from Balloon 2019 / Director: Pema Tseden / Image courtesy: Rediance Films

Production still from Balloon 2019 / Director: Pema Tseden / Image courtesy: Rediance Films / View full image

#3
Bringing Tibet Home 2013

Bringing Tibet Home is a dramatic, observational documentary that follows New York-based artist Tenzing Rigdol in an ambitious undertaking for his next art project. He proposes to transport 20 tonnes of soil from Tibet across three countries to a final installation in Dharamsala, India. His motivation? Not only to bring awareness to the constraints of Chinese rule in Tibet and their influence across the region but to give Tibetans in exile the much dreamed of chance to set foot on native Tibetan soil. Bringing Tibet Home is infused with Rigdol’s longing for his homeland, nail-biting moments during contentious border crossings and bold dreams that artmaking can bring people together in new ways. Bringing Tibet Home captures the Tibetan refugee experience with vivid intensity and the warmth of human connection.

Production still from Bringing Tibet Home 2013 / Director: Tenzin Tsetan Choklay / Image courtesy: Journeyman Pictures

Production still from Bringing Tibet Home 2013 / Director: Tenzin Tsetan Choklay / Image courtesy: Journeyman Pictures / View full image

Bringing Tibet Home 2013 / Director: Tenzin Tsetan Choklay / Now screening in ‘The cinema of Tibet’

#4
Wangdrak’s Rain Boots 2018

Wangdrak dreams of gumboots to keep the squelching mud from his sodden feet and the cruel taunts of his schoolmates at bay. Unfortunately, his family’s financial situation can’t stretch that far and a new scythe for the impending harvest rather than new shoes are his father’s priority. A sweet and stunningly shot film by cinematographer and first-time director Lhapal Gyal, Wangdrak’s Rain Boots eloquently captures daily life in rural Tibet and the simple and raw longings of childhood.

Production still from Wangdrak’s Rain Boots 2018 / Director: Lhapal Gyal / Image courtesy: Lhapal Gyal

Production still from Wangdrak’s Rain Boots 2018 / Director: Lhapal Gyal / Image courtesy: Lhapal Gyal / View full image

Wangdrak’s Rain Boots 2018 / Director: Lhapal Gyal / Now screening in ‘The cinema of Tibet’

#5
Royal Café 2016

Paris-based Fashion Designer and Filmmaker Tenzin Dasel is one of very few Tibetan women making films. In Royal Café she meditates on the filmmaking process and through candid conversations with a series of characters in cafes and bars examines the freedom and constraints of being a Tibetan living in Paris.

Also screening, Seeds is Dasel’s first short film shot on 8mm in India and combines dream sequences with a verité style of filmmaking. The film offers a fresh perspective on the restlessness of youth capturing both the inertia and big dreams of the refugee experience.

Production still from Royal Café 2016 / Director: Tenzin Dasel / Image courtesy: Tenzin Dasel

Production still from Royal Café 2016 / Director: Tenzin Dasel / Image courtesy: Tenzin Dasel / View full image

Event
Be The Mountain: Music and Conversation with Tenzin Choeyal
Ticketed

On Saturday 5 November from 1.00pm join us for an afternoon of live music and conversation with Grammy nominated musician and film composer Tenzin Choegyal, one of the world’s finest musicians with Tibetan lineages. Tenzin combines his soaring vocals and traditional folk mastery with contemporary music imaginings, his collaborations with artists throughout Australia and worldwide include Phillip Glass and Laurie Anderson.

Following the music performance, Tenzin will discuss the art of composing and capturing the emotional resonance of a film. This special music event is ticketed.

Tenzin Choegyal

Tenzin Choegyal / View full image

The cinema of Tibet

View the program

Dreaming Lhasa 2005
The Silent Holy Stones 2005
The Search 2009
Old Dog 2011
Bringing Tibet Home 2013
The Sacred Arrow 2014
River 2015
Tharlo 2015
Pawo 2016
Royal Cafe 2016
Seeds 2016
Wangdrak’s Rain Boots 2018
The Sweet Requiem 2018
Balloon 2019
Lhamo and Skalbe 2019
Amala – The Life and Struggle of the Dalai Lama’s Sister 2022

Rosie Hays is Associate Curator, Australian Cinémathèque, QAGOMA

‘The Cinema of Tibet’ is a free film program screening from 7 October – 23 November at the Australian Cinémathèque, GOMA. View the ongoing Cinema Program.

QAGOMA is the only Australian art gallery with purpose-built facilities dedicated to film and the moving image. The Australian Cinémathèque at the Gallery of Modern Art (GOMA) provides an ongoing program of film and video that you’re unlikely to see elsewhere, offering a rich and diverse experience of the moving image, showcasing the work of influential filmmakers and international cinema, rare 35mm prints, recent restorations and silent films with live musical accompaniment on the Gallery’s Wurlitzer organ originally installed in Brisbane’s Regent Theatre in November 1929.

Featured image: Production still from Lhamo and Skalbe 2019 / Director: Sonthar Gyal / Image courtesy: Rediance Films

Related Stories

  • Read

    5 David Bowie film costume highlights

    Ziggy may have played guitar, but it was David Bowie who played an alien, a vampire, a Roman emperor, and a goblin king, all with effortless style and savoir faire. ‘The Cracked Actor: Bowie on Screen’ film program at the Australian Cinémathèque, GOMA from 17 August – 5 October 2024 celebrates some of Bowie’s most notable on-screen roles and is a rare chance to see a different side to this chameleonic performer. DELVE DEEPER: David Bowie on screen… behind Bowie’s now iconic stage personas lies a complicated love affair with acting that took his passion for performing from the concert stage to the silver screen. As with many great performances, a sharp costume, a snappy accessory or even the right hair piece can add a new dimension to a character and create an unforgettable cinematic moment. An enigmatic and continually changing performer, David Bowie was synonymous with bold looks and edgy styles that walked a fine line between fashion and costume. From invisible ties to sparkling sceptres, here are five of our favourite David Bowie costume highlights. Get tickets to ‘Bowie on Screen’ or see what’s screening Australian Cinémathèque, GOMA 17 Aug – 5 Oct 2024 #1 The ‘Air tie’ see it in The Man Who Fell to Earth (1976) R18+ Is there life on Mars? According to writer Walter Tevis and director Nicholas Roeg, there’s life, and it has an excellent eye for sharp tailoring and designer eyewear. Taking direction from Bowie’s ‘Thin White Duke’ persona, David Bowie worked closely with designers May Routh and Ola Hudson to create a simple look for the Thomas Newton character that would suit an alien explorer looking to blend in with their new surroundings. Bringing together Bowie’s love of cabaret, German expressionism and jazz from the 1940s and 50s, the result was a selection of dark boxy suits, slender silk shirts, black platform shoes and a non-existent tie (affectionately known as the ‘air tie’), forming a striking look that Bowie would continue to showcase as part of his ‘Station to Station’ album tour. Screening: 2.00pm, Saturday 17 August & 6.00pm, Wednesday 18 September 2024 The Man Who Fell to Earth will screen from a 4K digital restoration. #2 Ziggy’s hair see it in Moonage Daydream (2022) M In the early 70s, David Bowie’s vibrant crop of laser-red hair formed the basis of his most famous stage persona, Ziggy Stardust, and has undoubtedly become one of the most iconic haircuts of all time. Until 1972, Bowie’s hairstyles had largely consisted of Teddy Boy quiffs and long blonde waves. That was until Bowie’s then wife Angie Bowie (née Mary Angela Barnett) introduced him to London hairdresser Suzi Fussey. Armed with a selection of magazine cutouts including pictures of model Christine Walton in Paris Vogue and the latest looks from Japanese designer Kansai Yamamoto (who would later design Bowie’s infamous wide-leg jumpsuit made from black vinyl with white stripes), the musician walked into the Evelyn Page hair salon in Beckenham as David Bowie and walked out as Ziggy Stardust. Screening: 12.30pm, Saturday 31 August & 6.00pm, Wednesday 2 October 2024 #3 Warhol’s wig see it in Basquiat (1996) M Pop artist Andy Warhol began wearing wigs in his early twenties as a way of concealing his premature baldness. As Warhol’s wigs gradually morphed into an integral part of the artist’s persona, they took on more bold and outlandish forms, the most famous being coined the ‘fright’ wig due to its wild and static styling. After admiring Warhol for years, David Bowie finally met the artist in 1971, and (after an initially awkward exchange) the two struck up a conversation over a pair of bright gold shoes that Bowie was wearing from T. Rex front man, Marc Bolan. In 1996, Bowie was given the chance to play Andy Warhol in painter Julian Schnabel’s Basquiat. Courtesy of the Andy Warhol Museum in Pittsburgh, Bowie was lent one of the artist’s wigs and leather jackets to wear on set, to channel Warhol’s larger-than-life character. The result was a playful and highly memorable coming together of two cultural superstars on-screen. Screening: 3.00pm, Saturday 7 September 2024 Basquiat will screen from an archival 35mm print. #3 Vampires in Yves Saint laurent see it in The Hunger (1983) M Vampiric elegance meets 80s shoulder pads in Tony Scott’s The Hunger 1983. Taking inspiration from the German expressionist and film noir movements, costume designer Milena Canonero partnered with fashion designer Yves Saint Laurent to bring together Bauhaus-inspired tailoring with fishnet tights, black leather jackets and angular sunglasses, giving the characters a timeless look with a gothic twist. The costumes worn by both David Bowie and Catherine Deneuve in the film were so striking, that they inspired fashion designer Alexander McQueen’s 1996 spring/summer ready-to-wear collection, appropriately titled ‘The Hunger’. Screening: 8.45pm, Wednesday 18 September & 3.00pm, Saturday 5 October #5 The ‘Swagger stick’ see it in Labyrinth (1986) M What do you get if you cross a new-romantic singer with an orb-wielding sorcerer? The answer is David Bowie’s unforgettable rendition of Jareth the Goblin King in Jim Henson’s Labyrinth. On envisioning the role of Jareth, Bowie initially pictured the character as a vein and temperamental new romantic, a nod to the flamboyant and eccentric style of the new romantic movement, who might resemble the type of popstar idolised by the young teenage character Sarah (played by Jennifer Connelly). Critical to this imagining of the character was the sceptre, or ‘swagger stick’ as Bowie called it, that would act as a type of microphone for the Goblin King to posture with. Despite its seemingly fictious name, the swagger stick is a genuine piece of military paraphernalia with origins that trace back to the Roman army, although few (if any) were adorned with crystals befitting a goblin king. Screening: 3.00pm, Saturday 28 September 2024 ‘The Cracked Actor: Bowie on Screen’ is an exploration of the visionary performer’s foray into...
  • Read

    Mad Science theatrics

    As the ‘Mad Science’ film program unfolds at the Australian Cinémathèque, GOMA until Sunday 23 June 2024, curatorial volunteer Talor Marshall highlights a few ways in which science fiction embraces theatrical and melodramatic elements to heighten the madness of the science on-screen. RELATED: On-screen scientists we’re absolutely mad about Often portraying outsiders, the following four films feature scientists, monsters, and machines whose cinematic dramatisation highlights taboo subjects and societal misunderstandings. Told with dramatic flair, these films bring a dash of melodrama through their expressive, playful, and outlandish sensibilities. Let the fun begin! #1 Bride of Frankenstein (1935) PG A classic of the genre, James Whale’s Bride of Frankenstein (1935) is arguably the director at his most expressive and is the memorable sequel of Frankenstein (1931), birthed from a line in Mary Shelley’s novel in which the monster asks for a mate. A delirious mix of Freudian anxieties surrounding the female body coupled with queer sensibilities, the film features memorable costumes by designer Vera West. Paired with the heightened physical performance of Elsa Lanchester as the monster’s bride, and Boris Karloff as the Monster, West’s now iconic costumes — and the bride’s fabulous updo — compliment Whale’s gothic aesthetic and theatrical direction. 2.45pm, Sunday 2 June & 1.00pm, Sunday 23 June 2024 Bride of Frankenstein will screen from an archival 35mm print. #2 The Devil Bat (1940) 15+ Featuring a performance by legendary horror actor Bela Lugosi, best known for his portrayal of Count Dracula in Dracula (1931) and Ygor in Son of Frankenstein (1939), The Devil Bat (1940) is a low-budget thriller which brings together a mad scientist and his murderous bat. A deliciously over the top pharmaceutical revenge tale, the maniacal Dr. Paul Carruthers (Lugosi) directs the killing power of his winged assailant through scent: each bat victim has applied an aftershave specially brewed by the mad scientist to mark his targets. Classically trained actor Bela Lugosi brings to the screen his own sinister-yet-comical flair, aided by large goggles and a menacing grin, making for one of the actor’s most melodramatic on-screen performances. The bat’s histrionic shriek and lo-fi puppetry charm is the perfect B-grade compliment to this hugely enjoyable thriller. 7.30pm, Wednesday 12 June & 2.45pm, Sun 23 June 2024 #3 Andy Warhol’s Flesh for Frankenstein (1974) R18+ Andy Warhol’s Flesh for Frankenstein (1974), directed by Paul Morrissey, is a subversive satire in which Udo Kier’s Baron von Frankenstein pursues a fascination for flesh. The film leans heavily into visual spectacle and embraces an unusual baroque stylisation of the doctor’s medical experiments. A frequent collaborator with Andy Warhol, Morrissey was able to garner additional attention for the film thanks to Warhol lending his name to the production. Morrissey dials up the gothic and borrows from Giallo sensibilities to deliver a transgressive take on the traditional Frankenstein blueprint. Udo Kier’s startlingly good looks are a striking counterpoint to his questionable ethics and maniacal pursuit of creating life. 6.00pm, Friday 7 June & 3.15pm, Saturday 22 June 2024 Andy Warhol’s Flesh for Frankenstein will screen from a 4K restoration. #4 From Beyond (1986) MA15+ From Beyond (1986) reunites director Stuart Gordon and producer by Brian Yuzna, the creative team behind Re-Animator (1985) (also screening in ‘Mad Science’ at 6.00pm Friday 21 June), in Lovecraftian dread. In their second collaborative effort, a mad scientist and his assistant have created the Resonator: a machine that allows those within its range to perceive a reality from another dimension. However, when their experiment succeeds, they are attacked by horrifying life forms from the beyond. Starring legendary horror icons Jefferey Combs, Ken Foree and Barbara Crampton, these recognisable veteran genre-actors bring a satirised zeal to the film. Glowing with pink-tinged, special effects, the film’s narrative of scientific experimentation gone wrong is an outlandish sci-fi romp that will delight fans of 1980s horror. 8.05pm, Wednesday 19 June & 8.00pm, Friday 21 June 2024 #5 Our wild card Live Music & Film: Dr Jekyll and Mr Hyde (1920) All Ages Dabbling in laboratory experiments to interrogate his theory that all humans contain a duality of good and evil, the accomplished Dr Jekyll inadvertently calls forth his own depraved and dangerous nature: the alter ego Mr Hyde. John Barrymore playing the titular role is masterful in his miraculously eerie transformation between both personalities: in turn a distinguished doctor who charitably runs a clinic for the poor and Mr Hyde, a vicious and violent criminal. The Wurlitzer Organ is the perfect pairing for this creepy classic. A new live score will be performed on the Gallery’s much loved 1929 Wurlitzer Style 260 Opus 2040 Pipe Organ. Hidden beneath the stage of the Australian Cinémathèque and only revealed for special screenings is our Pipe Organ, its original home Brisbane’s Regent Theatre which opened in 1929. Read more to go behind-the-scenes. 11.00am, Sunday 16 June 2024 Talor Marshall is Curatorial volunteer, Australian Cinémathèque, QAGOMA The Australian Cinémathèque The Queensland Art Gallery | Gallery of Modern Art (QAGOMA) is the only Australian art gallery with purpose-built facilities dedicated to film and the moving image. The Australian Cinémathèque at GOMA provides an ongoing program of film and video that you’re unlikely to see elsewhere, offering a rich and diverse experience of the moving image, showcasing the work of influential filmmakers and international cinema, rare 35mm prints, recent restorations and silent films with live musical accompaniment by local musicians or on the Gallery’s Wurlitzer organ originally installed in Brisbane’s Regent Theatre in November 1929. Featured image: Production still from Andy Warhol’s Flesh for Frankenstein (1974)