O’Keeffe, Preston and Cossington Smith Come to QAG
23 FEBRUARY 2017
O’KEEFFE, PRESTON AND COSSINGTON SMITH COME TO QAG
An exhibition celebrating the iconic work of American artist Georgia O’Keeffe (1887–1986) and pioneering Australian artists Margaret Preston (1875–1963) and Grace Cossington Smith (1892–1984) opens at the Queensland Art Gallery from 11 March to 11 June 2017.
‘O’Keeffe, Preston, Cossington Smith: Making Modernism’ includes 90 paintings, 30 by each artist, and considers the distinguished contribution these remarkable women artists made to international modernism across the breadth of their careers.
Queensland Art Gallery | Gallery of Modern Art (QAGOMA) Director Chris Saines CNZM said the exhibition touring Melbourne, Brisbane and then Sydney had been developed by the Art Gallery of New South Wales (AGNSW), Heide Museum of Modern Art and QAGOMA in partnership with the Georgia O’Keeffe Museum in Santa Fe.
‘‘Making Modernism’ offers audiences a unique opportunity to see works by one of America’s most innovative painters, in parallel with two of Australia’s best known and beloved artists,’ Mr Saines said.
‘Never before seen in Australia, the group of Georgia O’Keeffe paintings includes Storm Cloud, Lake George 1923, The Black Iris 1926 and one of her most memorable skull and floral motif images, Ram’s Head, Blue Morning Glory 1938.
‘Preston and Cossington Smith, like O’Keeffe in America, have long been recognised for their central role in the development of modern art in Australia,’ he said.
All three women were ambitious and steadfast in their pursuit of a modernism distinct from European traditions. Their works represent distinct modernist visions of the identity and culture of their respective nations, with landscape and a sense of place clearly a tremendous source of inspiration.
Coming of age in the 1920s and ‘30s, decades of great social and cultural transition, they connect with each other through their choice of subject, experimentation with light, colour and form and a commitment to presenting alternative ways of seeing the world.
Also united by a love of nature, O’Keeffe, Preston and Cossington Smith developed subjects from their immediate surroundings to create distinct interpretations of place. O’Keeffe synthesised the forms and lines of the New Mexico high desert to share her experience of its vast and ancient landscape, while Preston articulated the character of her local environment in her pursuit of a uniquely Australian aesthetic. Cossington Smith painted glowing and intimate landscapes based on views from her semi-rural home in Sydney’s outer suburbs.
The genre of still life was a further touchstone – flower painting in particular. Each artist transformed this traditional art form into a pictorial vehicle more relevant to the modern age.
Curated by Lesley Harding (Heide Museum of Modern Art), Denise Mimmocchi (AGNSW), Jason Smith (initiating curator and former QAGOMA Curatorial Manager) with Cody Hartley and Carolyn Kastner (Georgia O’Keeffe Museum). This project is made possible through support from the Terra Foundation for American Art. The exhibition is generously supported by the Art Gallery of New South Wales Society, the Gordon Darling Foundation and the Government of the United States.
On Saturday 11 and Sunday 12 March the opening weekend program for ‘Making Modernism’ will feature talks, tours and special events with exhibition co-curators Denise Mimmocchi (Curator, Australian Art, Art Gallery of New South Wales), Lesley Harding (Curator, Heide Museum of Modern Art), and Cody Hartley (Senior Director, Collections and Interpretation, Georgia O’Keeffe Museum), along with Jason Smith and Kyla McFarlane, Acting Curatorial Manager, Australian Art, QAGOMA.
Following its season at the Queensland Art Gallery, the exhibition will tour to the Art Gallery of New South Wales from 1 July to 2 October 2017.
The Georgia O’Keeffe Museum in Sante Fe was established in 1997 to preserve and advance the artistic legacy of Georgia O’Keeffe. The museum is dedicated to developing appreciation of O’Keeffe’s remarkable oeuvre both nationally and internationally through exhibitions that provide new scholarship on her practice.