‘The Art of the Heist’ film program has begun, and some classic crime stories are unfolding. What better way to delve into the program with some juicy heist scandals set in art museums? RELATED: The heist: Cinema’s most beloved crime subgenre In How to Steal a Million, the interior of the fictitious Musée Kléber-Lafayette was constructed in a studio, however scenes on the street outside the museum were shot in front of the Musée Jacquemart-André, a private museum in Paris. The museum was created in the home of Édouard André and Nélie Jacquemart to display the art they collected during their lives. A key scene in Bande à Part (Band of Outsiders) is a dizzying dash to break the world record for running through the Louvre Museum, Paris. The narrator informs viewers that their time was 9 minutes and 43 seconds, which broke the record set by Jimmy Johnson of San Francisco at 9 minutes and 45 seconds. Topkapi is set on location in the grounds of Topkapı Palace, now a museum in Istanbul, Turkey, with the interior recreated in a studio. From the 15th century the palace served as the main residence and administrative headquarters of the Ottoman sultans. How to Steal a Million How to Steal a Million 1966 stars Peter O’Toole and the ever stylish and elegant Audrey Hepburn is Nicole Bonnet the daughter of famed art collector Charles Bonnet. Bonnet’s prized sculpture the Cellini Venus is about to be displayed in a prestigious art museum. The only hitch: it’s a fake. Bonnet senior has a dark secret – for all his wealth and outstanding collection of bonafide artworks – he loves to dabble in forgery himself. It would mean terrible embarrassment and jail time if the art world found out the real story and Hepburn decides the only way to protect her father is to ‘steal’ the sculpture from the high security museum. Hepburn finds herself hiding in a broom cupboard of the Parisian museum with cat burglar Peter O’Toole in a madcap plan to retrieve the illicit artwork. The film is full of charm and great fashion by Givenchy. Bande à Part (Band of Outsiders) The French New Wave master Jean Luc Godard’s 1964 film Bande à Part (Band of Outsiders) is a super stylish and free-wheeling robbery set in Paris. Anna Karina stars as Odile, a young woman who meets two restless and magnetic young men who propose a robbery in Karina’s own home. It’s just the daring she’s looking for as an antidote to her sheltered and stuffy life. A romantic, melancholic and bold re-imagining of the gangster film. Topkapi Topkapi 1964 deserves to be better known than it is. A fabulously entertaining heist, the film is directed by Jules Dassin who made another iconic heist Rififi 1955. The object of desire in this film is a bejewelled dagger. The leader of the gang of crooks is Elizabeth Lipp played by the indomitable Melina Mercouri oozing Euro-chic. Keep your eye out for the suspenseful and gravity defying scene in the museum that will be very familiar to anyone who has seen Tom Cruise suspended by a wire in Mission: Impossible 1996. Ah…they don’t make trailers like this anymore (more’s the pity). You have to take a look at this 1960s marvel. Only the divine Mercouri has the poise to so deftly pull this off. The Art of the Heist ‘The Art of the Heist’ is a ticketed film program screening from 29 April to 26 June at the Australian Cinémathèque, GOMA. Visit the website to purchase tickets. 1950s The Asphalt Jungle 1950 / Dir: John Huston Armoured Car Robbery 1950 / Dir: Richard Fleisher The Lavender Hill Mob 1951 / Dir: Charles Crichton Rififi 1955 / Dir: Jules Dassin To Catch a Thief 1955 / Dir: Alfred Hitchcock Bob le Flambeur 1956 / Dir: Jean-Pierre Melville The Killing 1956 / Dir: Stanley Kubrick 1960s Bande à part (Band of Outsiders) 1964 / Dir: Jean-Luc Godard Topkapi 1964 / Dir: Jules Dassin Cruel Gun Story 1964 / Dir: Takumi Furukawa How to Steal a Million 1966 / Dir: William Wyler The Thomas Crown Affair 1968 / Dir: Norman Jewison The Italian Job 1969 / Dir: Peter Collinson 1970s Le Cercle Rouge (The Red Circle) 1970 / Dir: Jean-Pierre Melville The Sting 1973 / Dir: George Roy Hill The Friends of Eddie Coyle 1973 / Dir: Peter Yates The Taking of Pelham One Two Three 1974 / Dir: Joseph Sargent Dog Day Afternoon 1975 / Dir: Sidney Lumet Raining in the Mountain 1979 / Dir: King Hu 1980s Thief 1981 / Dir: Michael Mann Malcolm 1986 / Dir: Nadia Tass 1990s Reservoir Dogs 1992 / Dir: Quentin Tarantino Heat 1994 / Dir: Michael Mann Mission: Impossible 1996 / Dir: Brian De Palma Bottle Rocket 1996 / Dir: Wes Anderson 2000s Sexy Beast 2000 / Dir: Jonathan Glazer Oceans 11 2001 / Dir: Steven Soderbergh The Hard Word 2002 / Dir: Scott Roberts 2010s Fast Five 2011 / Dir: Justin Lin Drive 2011 / Dir: Nicolas Winding Refn Victoria 2015 / Dir: Sebastian Schipper Logan Lucky 2017 / Dir: Steven Soderbergh Widows 2018 / Dir: Steve McQueen Hustlers 2019 / Dir: Lorene Scafaria 2020s Kajillionaire 2020 / Dir: Miranda July Rosie Hays is Associate Curator, Australian Cinémathèque. Dip into our Cinema blogs / View the ongoing Australian Cinémathèque program QAGOMA acknowledges the generous assistance of the National Film and Sound Archive, Canberra; and the Taiwan Film and Audiovisual Institute, Taipei in providing materials for this program. QAGOMA’s Australian Cinémathèque presents curated programs, genre showcases and director retrospectives covering the world of film from crowd-pleasing fan favourites and cult classics to hard-to-find international cinema, rare 35mm prints and silent films with live musical accompaniment on the Gallery’s Wurlitzer organ originally installed in Brisbane’s Regent Theatre in November 1929. Featured image: Production still from How to Steal a...

As part of Asia Pacific Triennial Cinema, Taiwan-based Malaysian filmmaker Tsai Ming-liang joined us for an Australian-exclusive in-person In Conversation event. Celebrated as one of the greatest living directors and a key figure in the second wave of Taiwan New Cinema, Tsai has re-shaped understandings of the artform through his feature films (including the Golden Lion-winning 'Vive L’Amour' 1994 and the ghostly masterpiece 'Goodbye, Dragon Inn' 2003), his innovative video works and his mesmerising 'Walker' series. Tsai Ming-liang discusses his acclaimed career, his long-standing creative partnership with Lee Kang-sheng and his singular vision of cinema. Recorded at the Australian Cinémathèque, Gallery of Modern Art Sun 1 Dec 2024 Moderated by Robert Hughes, Associate Curator, Australian Cinémathèque Presenting Partner: Crumpler 11th Asia Pacific Triennial of Contemporary Art 30 Nov 2024 – 27 Apr 2025 Queensland Art Gallery & Gallery of Modern Art (QAGOMA) Thumbnail Tsai Ming-liang Photograph by Chang Jhong-Yuan Courtesy: Homegreen Films Production still from 'Goodbye, Dragon Inn' 2003 Director: Tsai Ming-liang Courtesy: Homegreen Films © Tsai Ming-liang Cinema that takes you places Australian Cinémathèque Queensland Art Gallery | Gallery of Modern Art, Brisbane, Australia © Queensland Art Gallery Board of Trustees, 2024 https://www.qagoma.qld.gov.au #qagoma