• Jenny Watson, Australia b.1951 / Private views and rear visions (detail) 2021–22 / Synthetic polymer paint on found digital prints on paper / 48 sheets: 102 x 72cm (sheet) / Image courtesy: Jenny Watson

    Jenny Watson, Australia b.1951 / Private views and rear visions (detail) 2021–22 / Synthetic polymer paint on found digital prints on paper / 48 sheets: 102 x 72cm (sheet) / Image courtesy: Jenny Watson / View full image

  • Robert Andrew, Yawuru people, Australia b.1965 / Tracing Inscriptions (detail) 2020 / Installation view, 'Overlapping Magisteria: The 2020 Macfarlane Commissions', Australian Centre for Contemporary Art, Melbourne / Image courtesy: Robert Andrew

    Robert Andrew, Yawuru people, Australia b.1965 / Tracing Inscriptions (detail) 2020 / Installation view, 'Overlapping Magisteria: The 2020 Macfarlane Commissions', Australian Centre for Contemporary Art, Melbourne / Image courtesy: Robert Andrew / View full image

  • Robert Andrew, Yawuru people, Australia b.1965 / Tracing Inscriptions (detail) 2020 / Installation view, 'Overlapping Magisteria: The 2020 Macfarlane Commissions', Australian Centre for Contemporary Art, Melbourne / Image courtesy: Robert Andrew

    Robert Andrew, Yawuru people, Australia b.1965 / Tracing Inscriptions (detail) 2020 / Installation view, 'Overlapping Magisteria: The 2020 Macfarlane Commissions', Australian Centre for Contemporary Art, Melbourne / Image courtesy: Robert Andrew / View full image

  • Janet Burchill,Australia b.1955 / Jennifer McCamley, Australia b.1957 / Grace ‘Simone Weil Project’ 2021–22 / Silkscreen, synthetic polymer paint on canvas / 152 x 122cm / Image courtesy: The artists and Neon Parc, Melbourne / Photograph: Andrew Curtis

    Janet Burchill,Australia b.1955 / Jennifer McCamley, Australia b.1957 / Grace ‘Simone Weil Project’ 2021–22 / Silkscreen, synthetic polymer paint on canvas / 152 x 122cm / Image courtesy: The artists and Neon Parc, Melbourne / Photograph: Andrew Curtis / View full image

  • Ethel Murraywith Rope Bigin (shield) 2016 / Image courtesy: The artist and Joann Russo, Girringun Aboriginal Art Centre

    Ethel Murraywith Rope Bigin (shield) 2016 / Image courtesy: The artist and Joann Russo, Girringun Aboriginal Art Centre / View full image

  • Megan Cope,Quandamooka people, Australia b.1982 / The tide waits for no one 2020–21 / Kiln cast glass, mineral sand, lightbox / 250 pieces: 40 x 200cm (installed) / Image courtesy: The artist and Milani Gallery, Brisbane / Photograph: Brenton McGeachie

    Megan Cope,Quandamooka people, Australia b.1982 / The tide waits for no one 2020–21 / Kiln cast glass, mineral sand, lightbox / 250 pieces: 40 x 200cm (installed) / Image courtesy: The artist and Milani Gallery, Brisbane / Photograph: Brenton McGeachie / View full image

  • James Barth, Australia b.1993 / Umbrage seen 2021 / Oil paint, aluminium composite sheet / © & image courtesy: James Barth and Milani Gallery

    James Barth, Australia b.1993 / Umbrage seen 2021 / Oil paint, aluminium composite sheet / © & image courtesy: James Barth and Milani Gallery / View full image

Events

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Justene Williams, Australia b.1970 / The Vertigoats (detail) 2021 / Mixed media / Purchased 2021 with funds from the Contemporary Patrons through the Queensland Art Gallery | Gallery of Modern Art Foundation / Collection: Queensland Art Gallery | Gallery of Modern Art / © Justene Williams

Justene Williams, Australia b.1970 / The Vertigoats (detail) 2021 / Mixed media / Purchased 2021 with funds from the Contemporary Patrons through the Queensland Art Gallery | Gallery of Modern Art Foundation / Collection: Queensland Art Gallery | Gallery of Modern Art / © Justene Williams / View full image

Education Resources

Analyse artworks through the personal, contemporary, cultural and formal contexts using the questions provided, or explore works by theme and consider the key ideas occupying Queensland contemporary artists.

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