• Mai Nguyễn-Long, Australia/Việt Nam b.1970 / The Vomit Girl Project (detail) 2024 / Glazed and unglazed clay / Commissioned for 'The 11th Asia Pacific Triennial of Contemporary Art', 2024/ With selected loans from the Germanos Collection, Sydney and Private Collections, Australia / © Mai Nguyễn-Long

    Mai Nguyễn-Long, Australia/Việt Nam b.1970 / The Vomit Girl Project (detail) 2024 / Glazed and unglazed clay / Commissioned for 'The 11th Asia Pacific Triennial of Contemporary Art', 2024/ With selected loans from the Germanos Collection, Sydney and Private Collections, Australia / © Mai Nguyễn-Long / View full image

  • Jasmine Togo-Brisby, Australian South Sea Islander, Australia b.1982 / Copper Archipelago 2024 / Copper, resin and steel / 50 × 960 × 360cm (approx.) / Commissioned for ‘The 11th Asia Pacific Triennial of Contemporary Art’ / Purchased 2024 with funds from Tim Fairfax AC through the QAGOMA Foundation / This project is supported by the Queensland Government through Arts Queensland and assisted by the Australian Government through Creative Australia, its principal arts investment and advisory body / Collection: Queensland Art Gallery | Gallery of Modern Art / © Jasmine Togo-Brisby

    Jasmine Togo-Brisby, Australian South Sea Islander, Australia b.1982 / Copper Archipelago 2024 / Copper, resin and steel / 50 × 960 × 360cm (approx.) / Commissioned for ‘The 11th Asia Pacific Triennial of Contemporary Art’ / Purchased 2024 with funds from Tim Fairfax AC through the QAGOMA Foundation / This project is supported by the Queensland Government through Arts Queensland and assisted by the Australian Government through Creative Australia, its principal arts investment and advisory body / Collection: Queensland Art Gallery | Gallery of Modern Art / © Jasmine Togo-Brisby / View full image

  • Zhang Xu Zhan, Taiwan b.1988 / Compound eyes of tropical 2020-22 (detail) 2024 / Single-channel 4K video installation: colour, sound, 16 minutes, ed. 6/6; wire, newspaper, glazed paper, paste, plastic beads, accessories 5 puppets: 23 × 18 × 18.5cm; 24 × 10.5 × 24cm; 26 × 12 × 18.5cm; 21.5 × 10 × 21cm; 20.5 × 9.5 × 13; 5 bases: 3 × 38 × 42cm (each) / Purchased 2024. QAGOMA Foundation / Collection: Queensland Art Gallery | Gallery of Modern Art / Courtesy: ZHAN ZHAN XI QI studio / © Zhang Xu Zhan

    Zhang Xu Zhan, Taiwan b.1988 / Compound eyes of tropical 2020-22 (detail) 2024 / Single-channel 4K video installation: colour, sound, 16 minutes, ed. 6/6; wire, newspaper, glazed paper, paste, plastic beads, accessories 5 puppets: 23 × 18 × 18.5cm; 24 × 10.5 × 24cm; 26 × 12 × 18.5cm; 21.5 × 10 × 21cm; 20.5 × 9.5 × 13; 5 bases: 3 × 38 × 42cm (each) / Purchased 2024. QAGOMA Foundation / Collection: Queensland Art Gallery | Gallery of Modern Art / Courtesy: ZHAN ZHAN XI QI studio / © Zhang Xu Zhan / View full image

  • Lê Thu, Việt Nam b.1988 / Echo 2023 / Doors: Lacquer, gold and silver leaf, mineral pigment on wood; Silk paintings: Ink, calligraphy, synthetic polymer paint and embroidery on silk; Brick fragments: Concrete and lacquer / Nine doors; seven silk paintings; six brick fragments / Purchased 2024 with funds from Tim Fairfax AC through the QAGOMA Foundation / Collection: Queensland Art Gallery | Gallery of Modern Art / © Lê Thu

    Lê Thu, Việt Nam b.1988 / Echo 2023 / Doors: Lacquer, gold and silver leaf, mineral pigment on wood; Silk paintings: Ink, calligraphy, synthetic polymer paint and embroidery on silk; Brick fragments: Concrete and lacquer / Nine doors; seven silk paintings; six brick fragments / Purchased 2024 with funds from Tim Fairfax AC through the QAGOMA Foundation / Collection: Queensland Art Gallery | Gallery of Modern Art / © Lê Thu / View full image

  • Haji Oh, Japan/Australia b.1976 / Seabird Habitats 2022, installation view ‘The 11th Asia Pacific Triennial of Contemporary Art’ 2024 / Linen (plainwoven, warp-faced, pick-up patterned, four-selvedge cloth), lead, hook, slide projection / Seven panels: 300 × 41cm (each); 300 × 287cm (installed); floor projection 550 × 400cm / Courtesy: The artist / Proposed for the Queensland Art Gallery | Gallery of Modern Art Collection / © Haji Oh / This project is assisted by the Ishibashi Foundation and the National Center for Art Research, Japan / Photograph: Joe Ruckli © QAGOMA

    Haji Oh, Japan/Australia b.1976 / Seabird Habitats 2022, installation view ‘The 11th Asia Pacific Triennial of Contemporary Art’ 2024 / Linen (plainwoven, warp-faced, pick-up patterned, four-selvedge cloth), lead, hook, slide projection / Seven panels: 300 × 41cm (each); 300 × 287cm (installed); floor projection 550 × 400cm / Courtesy: The artist / Proposed for the Queensland Art Gallery | Gallery of Modern Art Collection / © Haji Oh / This project is assisted by the Ishibashi Foundation and the National Center for Art Research, Japan / Photograph: Joe Ruckli © QAGOMA / View full image

  • Subas Tamang, Tamang people, Nepal b.1990 / KAAITEN: History, Memory, Identity 2024 / Woodcut prints on Nepali handmade paper / Four panels: 304 × 153cm (each); 304.8 × 612cm (overall) / Purchased 2024. QAGOMA Foundation / Collection: Queensland Art Gallery | Gallery of Modern Art / © Subas Tamang

    Subas Tamang, Tamang people, Nepal b.1990 / KAAITEN: History, Memory, Identity 2024 / Woodcut prints on Nepali handmade paper / Four panels: 304 × 153cm (each); 304.8 × 612cm (overall) / Purchased 2024. QAGOMA Foundation / Collection: Queensland Art Gallery | Gallery of Modern Art / © Subas Tamang / View full image

Events

See all Events

QAGOMA Stories

See all