Light Play: Experiments with Light and Film 1930 – 2008 Ages 18+
Production still from I Without End 2008 / Dir: Laleh Khorramian / Image courtesy: The artist / View full image
When
11.33 am, Sun 8 Feb 2026 (36 mins)Where
Gallery of Modern Art, Cinema A
Accessibility
- Wheelchair Accessible
Admission
Free
About
Refractions of shapes ripple across the screen, light glitters off a watery surface and a baby is born. This selection of short works showcase filmmakers experimenting with abstraction and light effects.
Lichtspiel Schwarz-Weiss-Grau (Light Play:Black, White, Grey) 1930
This short film by Hungarian artist Laszlo Moholy-Nagy combines his kinetic sculpture 'Light Prop for an Electric Stage' 1930 with light, shadow and film to produce a moving abstract painting.
6 minutes | All Ages
Rhythm in Light 1934
A pioneer of visual music and electronic art, Mary Ellen Bute along with producers Melville Webber and Ted Nemeth, plays with the focus of the camera and harnesses prisms, sparklers, eggbeaters and cellophane to create a beguiling abstract work set to Greig’s Peer Gynt Suite.
5 minutes | All Ages
Synchromy No. 2 1935
In a darkened background, illuminated shapes dance across the screen. Artist filmmaker Mary Ellen Bute begins her work with the maxim: the following film is designed by a modern artist to create moods through the eye as music creates moods through the ear.
2 minutes | All Ages
Window Water Baby Moving 1959
A film steeped in awe, love and physicality by experimental American filmmaker Stan Brakhage, Window, Water, Baby, Moving is a revelatory film about the birth of his daughter.
13 minutes | Ages 18+ | Scenes of childbirth
I Without End 2008
6 minutes | Ages 18+ | Animated sexual scenes
I Without End...Meanwhile 2008
Iranian-American artist Laleh Khorramian’s tender and sensual films capture an erotic encounter between two figures made from orange peel. As the orange peel ages, dries and transforms over time, the peel couple sway toward and away from candles and light and each other. I Without End and I Without End…Meanwhile examine the element of fire within an animation series exploring the elements of earth, air, water and fire.
4 minutes | Ages 18+ | Animated sexual scenes
Production Credits
Lichtspiel Schwarz-Weiss-Grau (Light Play:Black, White, Grey)
- Director: Laszlo Moholy-Nagy
- Print Source: Light Cone
- Rights: Light Cone
- Year: 1930
- Runtime: 6 minutes
- Countries: Germany, Soviet Union
- Language: No dialogue
- Colour: Black & White
- Shooting Format: 35mm
- Screening Format: 16mm
Rhythm in Light
- Directors: Mary Ellen Bute, Ted Nemeth, Melville Webber
- Print Source: Light Cone
- Rights: Light Cone
- Year: 1934
- Runtime: 5 minutes
- Country: United States
- Language: English
- Colour: Black & White
- Shooting Format: 35mm
- Screening Format: Digital
Synchromy No. 2
- Directors: Mary Ellen Bute, Melville Webber, Ted Nemeth
- Print Source: Light Cone
- Rights: Light Cone
- Year: 1935
- Runtime: 2 minutes
- Country: United States
- Language: English
- Colour: Black & White
- Shooting Format: 35mm
- Screening Format: Digital
Window Water Baby Moving
- Director: Stan Brakhage
- Cinematographer: Stan Brakhage
- Editor: Stan Brakhage
- Cast: Jane Wodening, Myrrena Brakhage, Stan Brakhage
- Print Source: Light Cone
- Rights: Light Cone
- Year: 1959
- Runtime: 13 minutes
- Country: United States
- Language: English
- Colour: Colour
- Shooting Format: 16mm
- Screening Format: 16mm
I Without End
- Director: Laleh Khorramian
- Cinematographer: Laleh Khorramian
- Editor: Laleh Khorramian
- Print Source: Laleh Khorramian
- Rights: Laleh Khorramian
- Year: 2008
- Runtime: 6 minutes
- Country: United States
- Language: No dialogue
- Colour: Colour
- Shooting Format: Digital
- Screening Format: Digital
I Without End...Meanwhile
- Director: Laleh Khorramian
- Cinematographer: Laleh Khorramian
- Editor: Laleh Khorramian
- Print Source: Laleh Khorramian
- Rights: Laleh Khorramian
- Year: 2008
- Runtime: 4 minutes
- Country: United States
- Language: No dialogue
- Colour: Colour
- Shooting Format: Digital
- Screening Format: Digital