花樣年華 (In the Mood for Love) 2000 G

3.15PM Sun 9 May 2021 (1hr 39mins)
GOMA | Cinema A | Booked Out

SYNOPSIS

In the Mood for Love will screen from a 4K digital restoration.

Released in 2000, In the Mood for Love heralded a promising new century of cinema and what a promise the film made. Film Comment noted it was "as intoxicating, as exquisitely nuanced, and as luxuriously sad as movies get.” Set in 1960s Hong Kong, Mrs Chan (Maggie Cheung) and Chow Mo-wan (Tony Leung Chiu-wai) are neighbours drawn together through a shared heartache - their respective spouses are having an affair. But living within the noisy and nosy walls of a cramped rooming house, they must hide their blossoming friendship – and possibly their love. The exquisitely crafted on-screen world is born of memory for Wong, “it’s about the memory of my childhood, an era, a Hong Kong that’s been lost.”

Expertly realised by two of contemporary cinema’s most accomplished cinematographers, Christopher Doyle and Ping Bin Lee (best known for his work with Taiwanese director, Hou Hsiao-Hsien), In the Mood for Love contains some of cinema’s most iconic images; Maggie Cheung gliding up the stairs in one of her many beautiful cheongsam dresses; Leung with his slicked hair, sharp suit and sad eyes savouring their fleeting glance. Winner of the Best Actor (Tony Leung Chiu-wai,) and the Technical Grand Prize at the 2000 Cannes Film Festival, In the Mood for Love remains an essential film for fans and hopeless romantics alike.

– Kristy Matheson, ACMI

Please note: tickets are available for sale online until 30 minutes prior to the screening (subject to availability). Door sales will not be available. A ticket is required for entry.

G | The content is very mild in impact

CREDITS

35MM, COLOUR, DOLBY DIGITAL, 98 MINUTES, HONG KONG, CANTONESE/SHANGHAINESE (ENGLISH SUBTITLES) / DIRECTOR/SCRIPT: WONG KAR WAI / CINEMATOGRAPHERS: CHRISTOPHER DOYLE, KWAN PUNG-LEUNG, MARK LEE PING-BING / EDITOR: WILLIAM CHANG / PROD CO: BLOCK 2 PICTURES, JET TONE PRODUCTION / PRINT SOURCE/RIGHTS: JANUS FILMS / SCREENING FORMAT: 4K RESTORATION DCP